Ernst Barlach, The Avenger, 1922. Ernst Barlach Haus, Hamburg. I can’t remember when I fell in love with the work of Ernst Barlach, about whom I will be talking on Monday 26 May. It could have been soon after the opening of Tate Modern, 25 years ago, when I included a version of today’s workContinue reading “249 – Rushing to the wrong conclusion (or, How to Look at Sculpture)”