Asking again: painted by a madman?

Edvard Munch, The Scream, 1895. Private Collection. If you think I’m being rude – or insensitive – I should point out that the title of today’s post is simply a quotation, in English, from the words that Edvard Munch himself wrote on the first (or second) version of The Scream. An infrared photo of theContinue reading “Asking again: painted by a madman?”

245 – Out of the Corner

Édouard Manet, Corner of a Café-Concert, probably 1878-80. The National Gallery, London. This week, after the splendour of Siena in the 14th century, it is time to turn our attention to another flourishing city – Paris, in the second half of the 19th century – but we will look at it via Switzerland. Over severalContinue reading “245 – Out of the Corner”

241 – Vasari vs Veracity

Amanzio Cattaneo, Parmigianino surprised by landsknechts in his studio, 1854. Galleria Nazionale di Parma. I am reaching the end of my series of talks examining all aspects of The National Gallery’s The Vision of Saint Jerome, and will conclude with a talk about The Sack of Rome this Monday, 3 February at 6pm. To tieContinue reading “241 – Vasari vs Veracity”

237 – Monet, looking at London

Claude Monet, The Thames below Westminster, about 1871. The National Gallery, London. Keep looking – that’s the most important thing. If you keep looking you keep learning. I certainly do: it’s one of the things I most enjoy about writing this blog. But then, check that what you’ve learnt from what you see is correctContinue reading “237 – Monet, looking at London”