135 – Say it with flowers

Carl Larsson, Azalea, 1906. Thielska Gallery, Stockholm. On Monday (6 September) I will be lecturing about two great Swedish artists from the late 19th and early 20th Centuries, Anders Zorn and Carl Larsson, both of whom (and I know I’ve said this before) deserve to be better known. Aside from their enormous technical skill, theContinue reading “135 – Say it with flowers”

120 – The Colour of Virtue

Ambrogio Lorenzetti, Maestà, c. 1335. Museo di Arte Sacra, Massa Marittima. I’m giving a talk for ARTscapades on Wednesday afternoon (at 2pm) entitled Good and Bad Government, which would be fine, apart from the fact that it has a subtitle The Lorenzetti Brothers in Siena. What was I thinking? I will have plenty of timeContinue reading “120 – The Colour of Virtue”

104 – Don’t touch!

Fede Galizia, Noli mi tangere, 1616, Pinacoteca di Brera, Milan. Great news this week, which I know some of you will have heard already. But just in case you haven’t, I’m glad to let you know that the National Gallery has managed to completely re-schedule the Artemisia Gentileschi exhibition. And not only that, but theyContinue reading “104 – Don’t touch!”

Day 98 – Out of Eden

Giovanni di Paolo, The Creation of the World and the Expulsion from Paradise, 1445, Metropolitain Museum of Art, New York. I alluded yesterday (Picture Of The Day 97) to the medieval conception of the Universe, in relation to the tapestries across the top of the walls in the tower of The Lady of Shalott – so what betterContinue reading “Day 98 – Out of Eden”

Day 97 – The Mirror Crack’d

William Holman Hunt, The Lady of Shalott, 1886-1905, Wadsworth Atheneum, Hartford CT. Finally, after 97 days, I’ve found the perfect expression of the lockdown. I’m beginning to understand how this Lady feels. I suspect we’ve all been going through this for a while now – “I am half sick of shadows,” said the Lady of Shalott.Continue reading “Day 97 – The Mirror Crack’d”

Day 94 – Narcissus

Claude, Landscape with Narcissus and Echo, 1644, National Gallery, London. I last talked about Claude, one of the great innovators of landscape painting, when we were exploring the story of Psyche, and if you want to more about him, and why I think this artist who produced all his work in Italy was not really French,Continue reading “Day 94 – Narcissus”