Cosmé Tura, Virgin and Child, 1480s. Gallerie dell’Accademia, Venice. Having spent a fair amount of time in my youth in Ferrara, when I was researching my PhD about the sculptures there, I grew inordinately fond of the idiosyncratic school of painting that flourished alongside my far scarcer sculptures. The paintings themselves are remarkably sculptural, weContinue reading “137 – The little Lord Jesus, Asleep…”
Category Archives: Virgin Mary
134 – Displaced Angels
Raphael, The Sistine Madonna, 1512-14. Gemäldegalerie Alte Meister, Dresden. I am constantly reminded of something that, when I first heard it, was attributed to Mark Twain: ‘I am sorry to have written such a long letter: I didn’t have time to write a short one’. Since then I have heard it attributed to any numberContinue reading “134 – Displaced Angels”
Lent 46
Andrea Bonaiuti, The Crucifixion, 1365-68. The Spanish Chapel, Santa Maria Novella, Florence. As I said on Thursday, the Master of Delft does not take us any further than Good Friday, and so, for the final day of Lent we will leave the Netherlands and head down to Italy, and to Florence, to consider one ofContinue reading “Lent 46”
Lent 45 – Good Friday
The Master of Delft, Triptych: Scenes from the Passion of Christ, about 1510. National Gallery London. https://www.nationalgallery.org.uk/paintings/NG2922.1 https://www.nationalgallery.org.uk/paintings/NG2922.2https://www.nationalgallery.org.uk/paintings/NG2922.3
Lent 44
On the right hand panel of the triptych, Christ is taken down from the cross. The stark, empty form appears against the sky, which is partially clouded, as we witness the gradual emptying of the top half of the painting. A ladder leans against the cross, one man climbing down, lowering the lifeless form asContinue reading “Lent 44”
Lent 43
The central panel of the triptych shows The Crucifixion. Christ appears at the top centre of the painting, outlined against the sky, the weather deteriorating from the clear blue we saw yesterday as we move from left to right. He is presented formally to us, an icon outside of the worldly clamour all around. TheContinue reading “Lent 43”
Lent 41
This is the same painting – although you would be forgiven for not recognising it. The work is a triptych – a painting on three panels – and for most of the time it would have been closed, only to be opened when mass was celebrated at the altar on which it was originally found.Continue reading “Lent 41”
Lent 40
If I have cliff-hangers, I left you with one yesterday. Admittedly, it would have left you hanging at the edge of a very low curb, but there you go. At least none of you would have had a sleepless night, especially good as, thanks to daylight saving, we in the UK – and Europe asContinue reading “Lent 40”
Lent 39
While there might still be some doubt that it is the Virgin who kneels near the foot of the ladder, there is none that the Magdalene finds her place once more at Christ’s feet, her preferred position, as was mentioned in Lent 32. Unlike other characters, whose costumes change, hers is the same. A redContinue reading “Lent 39”
Lent 38
Not far from the foot of the ladder which has been lent up against the cross is a woman kneeling in prayer. There is very little to tell us who she is, and yet, for anyone familiar with Western European painting, her identity is probably clear. We can also see feet descending the ladder, andContinue reading “Lent 38”
