Gabriele Münter, Portrait of Anna Roslund, 1917. New Walk Museum and Art Gallery, Leicester. I’m looking forward to talking about the Expressionists exhibition at Tate Modern this Monday, 20 May at 6pm, but as I’m currently in Delft with Artemisia I’m going to re-post something I wrote for Making Modernism, the Royal Academy’s 2022 exhibitionContinue reading “A Second Storm”
Tag Archives: painting
222 – Potentially singing
Carel Fabritius, The Goldfinch, 1654. Mauritshuis, The Hague. Some paintings are so simple they seem obvious, while others simply defy explanation. I feel certain that today’s painting falls somewhere between the two: a painting of a bird that has somehow become an international celebrity, with an expression as inscrutable as the Mona Lisa, or, closerContinue reading “222 – Potentially singing”
221 – Caravaggio: the witness witnessed
Michelangelo Merisi da Caravaggio, David with the Head of Goliath, 1606-07 or 1609-10. Galleria Borghese, Rome. I was very lucky to be able to get into the National Gallery before opening time last week, and had the unequalled opportunity to see The Last Caravaggio on my own. In terms of the National Gallery’s ‘small andContinue reading “221 – Caravaggio: the witness witnessed”
220 – At the end of the day
Frederic Leighton, The Garden of the Hesperides, c.1892. Lady Lever Art Gallery, Port Sunlight. After some delay I will be very happy to talk about Frederic Leighton and Flaming June at last – this Monday, 22 April at 6pm. This is a superb opportunity to focus on a painting which is widely recognised as theContinue reading “220 – At the end of the day”
Back to the Crossroads
Angelica Kauffman, Self Portrait at the Crossroads between the Arts of Music and Painting, 1794. National Trust Collections, Nostell Priory, West Yorkshire. This Monday, 11 March, I will talk about the Royal Academy’s long-awaited exhibition Angelica Kauffman. And to introduce that, I am re-posting an entry from the early days of this blog – ‘day 14’ toContinue reading “Back to the Crossroads”
219 – Sargent and sprezzatura
John Singer Sargent, Lady Agnew of Lochnaw (Gertrude Vernon), 1892. National Galleries of Scotland. Don’t believe what the critics say. And for the same reason, you shouldn’t believe what I say. No one can be expected to know everything. Critics very often have no time to think about what they’ve seen, and they could beContinue reading “219 – Sargent and sprezzatura”
Back to the King.
Rosalba Carriera, King Louis XV of France, 1720-21. Gemäldegalerie Alte Meister, Dresden. This Monday, 5 February at 6pm I will be introducing one of the National Gallery’s fabulous, focussed, and free exhibitions, the second in their Discover series, with a talk I am calling Discovering Liotard. However, as I am in London this week deliveringContinue reading “Back to the King.”
215 – Pesellino, the King, and the Kaiser
Francesco Pesellino, Saints Mamas and James, about 1455-60. Royal Collection Trust/His Majesty King Charles III. To introduce my next talk, which is about the National Gallery’s jewel of an exhibition Pesellino: A Renaissance Master Revealed (this Monday, 29 January at 6pm), I would like to talk about a painting which is part of the RoyalContinue reading “215 – Pesellino, the King, and the Kaiser”
213 – With Berthe in the Bois de Boulogne
Berthe Morisot, A Horse and Carriage in the Bois de Boulogne, after 1883. The Ashmolean Museum, University of Oxford. If you want an exhibition to help you cope with the stress of Christmas, or to get you going – gently – in the New Year, you could do worse than heading to Impressionists on PaperContinue reading “213 – With Berthe in the Bois de Boulogne”
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