Giorgio Morandi, Still Life, 1936. Magnani-Rocca Foundation, Mamiano di Traversetolo, Parma. Thank you to everyone who signed up for my two Vermeer talks: it made it so worthwhile to have such an eager audience. However, if you weren’t free, I will be delivering another introduction to the Rijksmuseum’s Vermeer – in person this time –Continue reading “190 – Leading a still life”
Category Archives: Still Life
188 – Of Cabbages
Alison Watt, Frances, 2022. Courtesy the Artist and Parafin, currently on view at Tristan Hoare. When I first started writing this blog, on 19 April 2020 (the week before lockdown – see Day 1 – The Rape of Europa), I nominated one of the fish in Titian’s painting as ‘the Best Fish in Art’, andContinue reading “188 – Of Cabbages”
162 – Betrayal Redeemed
Cornelia Parker, Thirty Pieces of Silver, 1988. Tate. Given that my current series of talks is called Looking in Different Ways, Cornelia Parker, about whom I will be talking this Monday, 18 July at 6pm, is a perfect choice. She sees the world in such a completely different way to most artists, and, with allContinue reading “162 – Betrayal Redeemed”
157 – Florid
Caterina Angela Pierozzi, The Annunciation Miniature, 1677. Colnaghi, London. I’ve just read a wonderful article in the New York Times, A Messy Table, a Map of the World by Jason Farago, and I’m half inclined to post a link to that today (which I have) and leave it at that. It’s a richly illustrated piece,Continue reading “157 – Florid”
149 – Sunflowers
Vincent van Gogh, Sunflowers, 1888. National Gallery, London. There can be few artists more famous or more popular these days than Vincent van Gogh, and I must confess that each time I hear about a new exhibition my heart sinks a little. But I’m glad to say, I am often wrong! The last one wasContinue reading “149 – Sunflowers“
140 – A Blog about a Dog
William Hogarth, The Painter and his Pug, 1745. Tate Britain, London. I’m not much of a dog person, but I have developed a fondness for William Hogarth’s pet pug, not least because rejoiced in the name of Trump (no relation). This portrait – if that’s what it is – features in the exhibition Hogarth andContinue reading “140 – A Blog about a Dog”
126 – Mary Moser
Mary Moser, Spring and Summer, c. 1780. Royal Academy, London. One of the artists I won’t be able to cover in my admittedly brief series Three Women in the 18th Century is Mary Moser, which is a great shame. Her fame is eclipsed by her contemporary Angelica Kauffman (who will, of course, be the subjectContinue reading “126 – Mary Moser”
Day 96 – Clara Peeters
Clara Peeters, Stil Life with Cheeses, Almonds and Pretzels, c. 1615, Mauritshuis, The Hague. There’s just time for a couple more reflections on art/in art before tomorrow evening. So far we’ve thought about mirrors as a symbol of both Vanity and Prudence (Picture Of The Day 92), and for their ability to create an image, which, likeContinue reading “Day 96 – Clara Peeters”
Day 27 – Birds, Butterflies and a Frog among Plants and Fungi
Day 27 – Melchior d’Hondecoeter, ‘Birds, Butterflies and a Frog among Plants and Fungi’, 1668, National Gallery, London. Well, here’s a curious thing! In terms of the standard classifications of art, it’s hard to know where to put it. Given its size (68 x 57 cm) and its subject matter, it should be a Still LifeContinue reading “Day 27 – Birds, Butterflies and a Frog among Plants and Fungi”
Day 6 – Quince, Cabbage, Melon and Cucumber
Day 6 – Juan Sánchez Cotán, Quince, Cabbage, Melon and Cucumber, ca. 1602, San Diego Museum of Art, California. Originally posted on 24 March 2020 If I were to give these musings a title each day, today’s would be ‘The Vengeance of the Vegetables, or, In Search of Celeriac’, and it is a response to theContinue reading “Day 6 – Quince, Cabbage, Melon and Cucumber”