Transfigured (and Repeated)

Apse Mosaic, c. 549. Sant’Apollinare in Classe, Ravenna. This coming Monday, 8 April, at 6pm, I will be Revealing Ravenna – or at least, talking about the remarkable mosaics, putting them in their historical and religious context, and explaining why the best Byzantine art is in Italy, rather than Istanbul. The following week I willContinue reading “Transfigured (and Repeated)”

A Second Helping of ‘The Last Supper’

Tilman Riemenschneider, The Last Supper, 1499-1505, St. Jacobskirche, Rothenburg ob der Tauber I’m so sorry, I won’t be able to talk about Flaming June on Monday, 1 April – you can blame a combination of TalkTalk and Openreach. We’ve finally made it to Merseyside, and should have been connected to the internet on Monday, butContinue reading “A Second Helping of ‘The Last Supper’”

Another task for Mary

Dirk Bouts, The Virgin and Child, c. 1465. The National Gallery, London. On Monday 18 March I will reach the third leg of my Stroll around the Walker, and will look at the beautiful and varied images of Mary and Jesus in the Liverpool collection in a talk entitled The Virgin and Child… and otherContinue reading “Another task for Mary”

216 – Between Earth and Heaven

The Master of the Aachen Altarpiece, The Crucifixion, about 1490-5. The National Gallery, London. I’m really enjoying getting to know the Walker Art Gallery in Liverpool – it has a fantastic collection, with some real gems – and am looking forward to starting my online stroll around the museum this Monday, 12 February with aContinue reading “216 – Between Earth and Heaven”

Double Negative

Sybil Andrews, Via Dolorosa, 1935. British Museum, London. I started this blog, as I’m sure most of you know, just before we went into lockdown. One of the results of that remarkable year (or two) was that we realised that being negative could be a positive – i.e. testing negative for covid was a goodContinue reading “Double Negative”

214 – Rembrandt and the State of the Art

Rembrandt van Rijn, Christ Presented to the People (‘Ecce Homo’), state V, 1655. National Galleries of Scotland. Happy New Year! And greetings from Liverpool – I’ve started the process of moving here, which may take a while to complete… In the meantime, the world of ‘online’ remains, and I will start afresh this Monday, 8Continue reading “214 – Rembrandt and the State of the Art”