112 …and so, ‘Farewell’…

Giotto, The Scrovegni Chapel, c. 1305, Padua. This is it, the very last ‘Scrovegni Saturday’. When I started out on this strand I had no idea what was coming, but I feel I understand Giotto’s decoration far better than I did before – and inevitably I also have far more questions about it than previously!Continue reading “112 …and so, ‘Farewell’…”

Day 30 – The Supper at Emmaus

Michelangelo Merisi da Caravaggio, The Supper at Emmaus, 1601, National Gallery, London.  People often ask me what would be the best book to read as an introduction to renaissance art, and my answer is almost invariably ‘the Bible’. And its value is not restricted to the Renaissance. Most ‘Old Master’ painting was produced in a profoundlyContinue reading “Day 30 – The Supper at Emmaus”

Day 25 – The Resurrection

Day 25 – Donatello, The Resurrection, c. 1460-65, San Lorenzo, Florence. Happy Easter! And to celebrate: my favourite image of ‘The Resurrection’. Why this one, of all the possible examples? Quite simply, because it’s not easy: this is a hard won victory. And because it breaks all the rules. Most versions of the Resurrection make itContinue reading “Day 25 – The Resurrection”

Day 24 – The Devils

Day 23 – Andrea Bonauiti, The Devils, from The Harrowing of Hell, 1365-68, The Spanish Chapel, Santa Maria Novella, Florence. It’s Easter Saturday – a day, it might seem, like any other, trapped between two extraordinary days – Good Friday, and Easter Sunday – and we wait, expectant and patient, while nothing happens. Or so itContinue reading “Day 24 – The Devils”