Veit Stoss, The Annunciation, 1517-18, St Lorenzkirche, Nuremberg. Another repost, as I’m on holiday in Shetland (although for obvious reasons I wrote this before I left home). As my talk, this Monday 4 August at 6pm, will be particularly concerned with Duccio’s Annunciation, I thought I’d look back to a far different version of the narrativeContinue reading “The Annunciation, again (again)”
Tag Archives: German Art
249 – Rushing to the wrong conclusion (or, How to Look at Sculpture)
Ernst Barlach, The Avenger, 1922. Ernst Barlach Haus, Hamburg. I can’t remember when I fell in love with the work of Ernst Barlach, about whom I will be talking on Monday 26 May. It could have been soon after the opening of Tate Modern, 25 years ago, when I included a version of today’s workContinue reading “249 – Rushing to the wrong conclusion (or, How to Look at Sculpture)”
248 – More value than many sparrows
Max Liebermann, Free Time in the Amsterdam Orphanage, 1881-82. Städel Museum, Frankfurt. German Impressionism – the subject of my talk on Monday, 19 May – was not a direct rejection of the pristine surfaces and clear, crisp colours of the Nazarenes, who I talked about earlier this week, but it so easily could have been.Continue reading “248 – More value than many sparrows”
246 – Lonely as a Cloud?
Caspar David Friedrich, Wanderer above the Sea of Fog, about 1817. Kunsthalle, Hamburg. Caspar David Friedrich’s Wanderer above the Sea of Fog is one of the archetypal images of German Romanticism – so what better painting to look at as an introduction to my eponymous talk this Monday, 5 May at 6pm? To be honest,Continue reading “246 – Lonely as a Cloud?”
dr richard stemp 