Johannes Vermeer, The Milkmaid, c. 1660. Rijksmuseum, Amsterdam. The Milkmaid, to whom I want to return today, rejoices in a room to herself in the Rijksmuseum’s stunning Vermeer. Brilliantly reviewed, and now completely sold out, the exhibition will be the subject of my talk this Monday, 13 February at 6pm which I have called Vermeer:Continue reading “The Milkmaid Returns (again)”
Author Archives: drrichardstemp
189 – Vermeer… of Delft
Johannes Vermeer, View of Delft, c. 1660-61. Mauritshuis, The Hague. As I start writing, I am on the verge of flying to Amsterdam. By the time you read this, though, I will have spent the day in Delft, visiting the viewpoint from which Vermeer saw his native city, seeing the streets he lived and workedContinue reading “189 – Vermeer… of Delft”
Donatello, take 2…
Donatello, The Feast of Herod, c. 1435, Palais des Beaux-Arts, Lille. Well, I’m just off out to talk about Donatello, so I’m afraid I don’t have the time to write a new post now. Instead, I’m going to revisit a post from 6 May 2020: it was Picture of the Day 49. Re-reading it, I wasContinue reading “Donatello, take 2…”
188 – Of Cabbages
Alison Watt, Frances, 2022. Courtesy the Artist and Parafin, currently on view at Tristan Hoare. When I first started writing this blog, on 19 April 2020 (the week before lockdown – see Day 1 – The Rape of Europa), I nominated one of the fish in Titian’s painting as ‘the Best Fish in Art’, andContinue reading “188 – Of Cabbages”
187 – After all…
Joaquín Sorolla y Bastida, After the Bath, 1908. Hispanic Society of America, New York. I suspect the title of today’s painting suffers from mistranslation – the original Spanish was probably Después del Baño, which does mean ‘after the bath’, but it could equally well mean ‘after the swim’ – the connection is, of course, bathingContinue reading “187 – After all…”
186 – Morisot and Motherhood
Berthe Morisot, Le Berceau, 1872. Musée d’Orsay, Paris. My series of talks, Women Artists, 79-1879 (the first 1800 years) comes to an end on Monday, 6 February with Week 5 – Getting Real. The title refers to the artistic movement known as Realism, which may or may not be relevant to Rosa Bonheur (a problemContinue reading “186 – Morisot and Motherhood”
185 – To finish the King.
Rosalba Carriera, King Louis XV of France, 1720-21. Gemäldegalerie Alte Meister, Dresden. If I’m honest, it’s not been the best week. To start off with, last week I said I would be doing a play in February: I’m not. It’s a long story, but not something I needed to lose my head about, though, andContinue reading “185 – To finish the King.”
184 – A Mother by a Sister and a daughter
Andrea de Mena y Bitoria, Mater Dolorosa, 1675. Hispanic Society of America, New York. As I think I’ve said during the talks recently, I keep finding more women who were artists. Apparently there are people who think that these artists are being ‘discovered’ more and more nowadays, but don’t be fooled – they have allContinue reading “184 – A Mother by a Sister and a daughter”
Looking back at Catharina
Day 28 – Catharina van Hemessen, Self Portrait, 1548, Öffentliche Kunstsammlung, Basel. I got back from Paris last night after a 36-hour art attack on the city, and was very glad to catch the Musée d’Orsay’s Rosa Bonheur exhibition in its final week. I will talk about it – and her – in the final week of WomenContinue reading “Looking back at Catharina”
183 – Another Epiphany
Elisabetta Sirani, Study for ‘The Baptism of Christ’, c. 1658. Graphische Sammlung Albertina, Vienna. Happy New Year! And Happy Christmas (yes, as I write, this is the Twelfth Day), and (given when I am writing) may I wish you a Happy Epiphany for tomorrow? The Wise Men will arrive and recognise Jesus as The Boy BornContinue reading “183 – Another Epiphany”
