Gian Lorenzo Bernini, Skull, 1655. It seems like it’s been a while since I wrote anything, but as I’m getting ready to talk again on Monday – the continuation of the series Caravaggio: A life in three paintings – I suppose it’s about time I got my brain in gear. It would make sense toContinue reading “131 – Memento Mori”
Author Archives: drrichardstemp
130 – Sofonisba and Michelangelo
Sofonisba Anguissola, Asdrubale bitten by a Crayfish, c. 1554. Museo di Capodimonte, Naples. I have talked about Sofonisba before (see Day 77 – Sofonisba Anguissola and Day 90 – Sofonisba, too) but I am being drawn back again – drawn by a drawing, as it happens – because I want to examine a myth andContinue reading “130 – Sofonisba and Michelangelo”
129 – The Calm before the Storm
Jacques-Louis David, The Death of Marat, 1793. Royal Museum of Fine Arts, Brussels. One more painting from the 18th Century before I head back to the Baroque – my next series of lectures is called Caravaggio: A life in three paintings, and will start on Monday 24 May (at 2pm and 6pm, as before) withContinue reading “129 – The Calm before the Storm”
128 – Unfinished Business
Johann Zoffany, The Academicians of the Royal Academy, 1771-72. Royal Collection Trust. Two weeks ago I talked about Mary Moser, one of the two women who, in 1768, were founder members of the Royal Academy. Today I would like to talk about a portrait of her, which hangs next to another, which depicts her fellowContinue reading “128 – Unfinished Business”
127 – Adélaïde Labille-Guiard
Adélaïde Labille-Guiard, Self Portrait with Two Pupils, 1785. Metropolitan Museum of Art, New York. A slight change of plan – rather than talking about a painting by a man this week, as I had planned to – even if it does impinge upon one of my Three Women in the 18th Century – I wantedContinue reading “127 – Adélaïde Labille-Guiard”
126 – Mary Moser
Mary Moser, Spring and Summer, c. 1780. Royal Academy, London. One of the artists I won’t be able to cover in my admittedly brief series Three Women in the 18th Century is Mary Moser, which is a great shame. Her fame is eclipsed by her contemporary Angelica Kauffman (who will, of course, be the subjectContinue reading “126 – Mary Moser”
125 – Twin Sisters
Jean-Claude Richard, ‘Abbé de Saint-Non’, Two Sisters, 1770. Metropolitan Museum of Art, New York. On Monday I will be talking about pastel painting, with a brief introduction to the technique and to its history, in the first of my talks about Three Women in the 18th Century – Rosalba Carriera and Power of Pastel. However,Continue reading “125 – Twin Sisters”
124 – A Sign of the Times
Jean-Antoine Watteau, L’Enseigne de Gersaint, 1720. Schloss Charlottenburg, Berlin. I wanted to write about today’s painting last year, during the original ‘Picture of the Day’ – but somehow I ran out of days… But even if this is a year later than I had hoped, I’m glad, as I know so much more about itContinue reading “124 – A Sign of the Times”
Easter!
Andrea Bonaiuti, The Resurrection, 1365-8. The Spanish Chapel, Santa Maria Novella, Florence. Happy Easter! Yesterday I referred to last year’s blog on The Devils in Andrea Bonaiuti’s Harrowing of Hell – and then I thought I ought to read it through, just in case there were any embarrassing typos. I’m glad to say that thereContinue reading “Easter!”
Lent 46
Andrea Bonaiuti, The Crucifixion, 1365-68. The Spanish Chapel, Santa Maria Novella, Florence. As I said on Thursday, the Master of Delft does not take us any further than Good Friday, and so, for the final day of Lent we will leave the Netherlands and head down to Italy, and to Florence, to consider one ofContinue reading “Lent 46”
dr richard stemp 