249 – Rushing to the wrong conclusion (or, How to Look at Sculpture)

Ernst Barlach, The Avenger, 1922. Ernst Barlach Haus, Hamburg. I can’t remember when I fell in love with the work of Ernst Barlach, about whom I will be talking on Monday 26 May. It could have been soon after the opening of Tate Modern, 25 years ago, when I included a version of today’s workContinue reading “249 – Rushing to the wrong conclusion (or, How to Look at Sculpture)”

228 – Curtains for My Parents

David Hockney, My Parents and Myself, 1976. The David Hockney Foundation. David Hockney must surely be Britain’s most famous, and successful, living artist. He also happens to be one of those who is most interested in the art of the past, which is the point made by the National Gallery’s capsule exhibition, Hockney and Piero:Continue reading “228 – Curtains for My Parents”

226 – Wise saws and modern instances

Oleksandr Bohomazov, Sharpening the Saws, 1927. National Art Museum of Ukraine, Kiev. The Royal Academy’s exhibition In the Eye of the Storm: Modernism in Ukraine, 1900-1930s, about which I will be speaking this Monday, 12 August at 6pm, is undoubtedly one of the most visually exciting exhibitions I have seen for a long time. RelativelyContinue reading “226 – Wise saws and modern instances”