219 – Sargent and sprezzatura

John Singer Sargent, Lady Agnew of Lochnaw (Gertrude Vernon), 1892. National Galleries of Scotland. Don’t believe what the critics say. And for the same reason, you shouldn’t believe what I say. No one can be expected to know everything. Critics very often have no time to think about what they’ve seen, and they could beContinue reading “219 – Sargent and sprezzatura”

217 – Of Pelicans and Queens

Nicholas Hilliard, Queen Elizabeth I, about 1575. National Portrait Gallery, London. After an enjoyable stroll around the first half of Room 1 at the Walker Art Gallery in Liverpool earlier this week (thank you to all those who came!), I’m looking forward to returning for (The High) Renaissance Rediscovered this Monday, 19 February at 6pm,Continue reading “217 – Of Pelicans and Queens”

211 – Hans Holbein: the other side of the mural?

Hans Holbein the Younger, Jane Seymour, c. 1536-7. Royal Collection Trust and Kunsthistorisches Museum, Vienna. On Monday I talked about Hans Holbein the Younger’s origins in Augsburg, and his career in Basel, and next week I’m looking forward to talking about his time in England with Holbein II: Realism and Royalty (Monday 27 November atContinue reading “211 – Hans Holbein: the other side of the mural?”

208 – Some are born great

Frans Hals, Portrait of Catharina Hooft with her Nurse, 1619-20. Staatliche Museen zu Berlin, Gemäldegalerie. I have rarely been so excited at an exhibition as I was when visiting Frans Hals at the National Gallery. I was excited to go, yes, but on seeing the first paintings, the thrill increased. I’ve seen quite a fewContinue reading “208 – Some are born great”

Revisiting, too…

Sir Peter Lely, …the Virgin and Child, 1664. National Portrait Gallery, London. I will be Revisiting the NPG for a second time this Monday, 9 October at 6:00pm, and in this instalment of the survey I will reach The Stuarts. To introduce that, I am also revisiting an old post: it was originally ‘Picture of theContinue reading “Revisiting, too…”

207 – Making a monarch, a mural, and more

Hans Holbein the Younger, King Henry VIII; King Henry VII, c. 1536-37. National Portrait Gallery, London. This week I will start what might turn out to be an occasional survey of the recently refurbished, refocussed and reopened National Portrait Gallery in London (whether I get all the way through depends on what other ideas takeContinue reading “207 – Making a monarch, a mural, and more”

205 – Coming to an arrangement

James Abbott McNeill Whistler, Arrangement in Grey and Black No. 2: Portrait of Thomas Carlyle, 1872-3. Kelvingrove Museum and Art Gallery, Glasgow. Last year, in March, I wrote about Whistler’s Mother, and on Monday I will talk about Whistler’s Wife – Beatrix Birnie Philip. However, as the official title of the former is Arrangement inContinue reading “205 – Coming to an arrangement”

199 – The One that Got Away

Hans Holbein the Younger, Christina of Denmark, Duchess of Milan, 1538. The National Gallery, London. The subject of today’s portrait, Christina of Denmark, Duchess of Milan, appears in one of the paintings in the Holburne Museum’s gem of an exhibition, Painted Love: Renaissance Marriage Portraits, which, if you’re interested, I will tell you about onContinue reading “199 – The One that Got Away”