Edmonia Lewis, The Death of Cleopatra, 1876, Smithsonian American Art Museum, Washington, D.C. Greetings from Sunny Sidmouth, where I’m enjoying a brief stint playing the title role in Yes, Prime Minister. It’s a short run, but by the time it ends I will probably have been in post almost as long as Liz Truss. I’ll beContinue reading “A new life for The Death of Cleopatra”
Category Archives: Women artists
225 – Necessity is the Mother of Inventiom
Angelica Kauffman, Invention, 1778-80. Royal Academy of Arts, London. Rather brilliantly, Tate Britain’s encyclopedic survey of Women Artists in Britain, 1520-1920, opens with Angelica Kauffman’s Invention. It was one of the four Elements of Art which she was commissioned to paint for Somerset House, where they were installed in the ceiling of the Royal Academy’sContinue reading “225 – Necessity is the Mother of Inventiom”
Still not ‘ladylike’…
Day 16 – Giulia Lama, Saturn devouring his Child, c. 1720-23, Private Collection (Sold at Christie’s, 2011). Greetings from Venice! I’m here In Search of Giulia Lama, researching for my eponymous talk this Monday 10 June at 6pm. What better opportunity to revisit one of my early posts from lockdown 1: it dates from 3 April 2020Continue reading “Still not ‘ladylike’…”
223 – FLY
Yoko Ono, FLY, 1996. Richmond, Virginia. As I post this I’m on my way home, having talked to a group of Tate sponsors – a well-established firm of lawyers – about the exhibition Yoko Ono: Music of the Mind. I will repeat this talk for a potentially more discerning group (you) this Monday 27 JuneContinue reading “223 – FLY”
A Second Storm
Gabriele Münter, Portrait of Anna Roslund, 1917. New Walk Museum and Art Gallery, Leicester. I’m looking forward to talking about the Expressionists exhibition at Tate Modern this Monday, 20 May at 6pm, but as I’m currently in Delft with Artemisia I’m going to re-post something I wrote for Making Modernism, the Royal Academy’s 2022 exhibitionContinue reading “A Second Storm”
Back to the Crossroads
Angelica Kauffman, Self Portrait at the Crossroads between the Arts of Music and Painting, 1794. National Trust Collections, Nostell Priory, West Yorkshire. This Monday, 11 March, I will talk about the Royal Academy’s long-awaited exhibition Angelica Kauffman. And to introduce that, I am re-posting an entry from the early days of this blog – ‘day 14’ toContinue reading “Back to the Crossroads”
Back to the King.
Rosalba Carriera, King Louis XV of France, 1720-21. Gemäldegalerie Alte Meister, Dresden. This Monday, 5 February at 6pm I will be introducing one of the National Gallery’s fabulous, focussed, and free exhibitions, the second in their Discover series, with a talk I am calling Discovering Liotard. However, as I am in London this week deliveringContinue reading “Back to the King.”
Double Negative
Sybil Andrews, Via Dolorosa, 1935. British Museum, London. I started this blog, as I’m sure most of you know, just before we went into lockdown. One of the results of that remarkable year (or two) was that we realised that being negative could be a positive – i.e. testing negative for covid was a goodContinue reading “Double Negative”
213 – With Berthe in the Bois de Boulogne
Berthe Morisot, A Horse and Carriage in the Bois de Boulogne, after 1883. The Ashmolean Museum, University of Oxford. If you want an exhibition to help you cope with the stress of Christmas, or to get you going – gently – in the New Year, you could do worse than heading to Impressionists on PaperContinue reading “213 – With Berthe in the Bois de Boulogne”
Reverting to Type
Elisabetta Sirani, The Penitent Magdalene, 1663. Musée des Beaux-Arts et d’Archéologie, Besançon. I first got to know today’s painting when I wrote about it back in November 2020, but only saw it for the first time in the flesh (flesh being the operative word) the week before last, when I was in Hamburg. It featuresContinue reading “Reverting to Type”