Bringing ‘The Resurrection’ back to life

Donatello, The Resurrection, c. 1460-65. San Lorenzo, Florence. On Monday 20 January at 6pm I am going to try and answer the question What is Mannerism?. I hope this will put Parmigianino’s masterpiece, which I discussed earlier in the week, into a broader artistic context. However, it’s been one of those weeks, and as thereContinue reading “Bringing ‘The Resurrection’ back to life”

239 – Saint Christina of Bolsena!

Luca Signorelli, Virgin and Child with Saints, 1515. The National Gallery, London. This Monday, 13 January I will be talking about the National Gallery’s superb, small-scale exhibition Parmigianino: The Vision of Saint Jerome, expanding on what is on display with reference to the superb and thoroughly researched catalogue. Earlier this week, while talking about theContinue reading “239 – Saint Christina of Bolsena!”

Renewed Devotion

Marie Spartali Stillman, How the Virgin Mary Came to Brother Conrad of Offida and laid her Son in his Arms, 1892. National Trust Collections, Wightwick Manor and Gardens, Warwickshire. There’s no talk this Monday, but as I have decided (after some delay) what will take up the rest of the Summer, I thought I shouldContinue reading “Renewed Devotion”

Transfigured (and Repeated)

Apse Mosaic, c. 549. Sant’Apollinare in Classe, Ravenna. This coming Monday, 8 April, at 6pm, I will be Revealing Ravenna – or at least, talking about the remarkable mosaics, putting them in their historical and religious context, and explaining why the best Byzantine art is in Italy, rather than Istanbul. The following week I willContinue reading “Transfigured (and Repeated)”

Double Negative

Sybil Andrews, Via Dolorosa, 1935. British Museum, London. I started this blog, as I’m sure most of you know, just before we went into lockdown. One of the results of that remarkable year (or two) was that we realised that being negative could be a positive – i.e. testing negative for covid was a goodContinue reading “Double Negative”