274 – Feeling blue

Konrad Mägi, Saaremaa Motif, 1913. Art Museum of Estonia, Tallinn. After last week’s delicate, subtle drawings by ten wonderful women from the 18th to the 19th centuries, today I’m looking forward to the rich colour and bold brushstrokes of Konrad Mägi, who I will talk about this Monday, 4 May at 6pm. I’m hoping thatContinue reading “274 – Feeling blue”

Back Home with Uncle Gianni

Bernardo Bellotto, Venice: Upper Reaches of the Grand Canal facing Santa Croce, about 1738. The National Gallery, London. After visiting Vienna to see the beautiful and well-crafted exhibition Canaletto & Bellotto, which I will talk about this Monday 20 April at 6pm, I returned to England for a few days before heading off on holidayContinue reading “Back Home with Uncle Gianni”

The End of the Rainbow

John Constable, Salisbury Cathedral from the Meadows, 1830-31. Tate Britain, London. Happy New Year! I’m looking forward to getting going straight away, and even before Christmas has officially ended. On 5 January 2026 at 6:00pm (which is the 12th Day of Christmas) I will be talking about Tate’s superb Turner & Constable exhibition, which is worthContinue reading “The End of the Rainbow”

261 – Joining the dots

Anna Boch, During the Elevation, 1893. Mu.ZEE, Ostend. I confess that I have never visited the Kröller-Müller Museum in Otterlo, despite the fact that it has the most extraordinary collection of paintings: before the opening of the Van Gogh Museum in Amsterdam, for example, this was the best collection of his work. The majority ofContinue reading “261 – Joining the dots”

236 – Rubens, before Constable

Peter Paul Rubens, A View of Het Steen in the Early Morning, probably 1636. The National Gallery, London. After five weeks talking about the Italian Renaissance I’m going to take a break and head forward to the 19th Century. There is a direct line to be drawn, I think, from Constable, via Monet, to VanContinue reading “236 – Rubens, before Constable”