Dante Gabriel Rossetti, Ecce Ancilla Domini! (The Annunciation), 1849-50. Tate. Today’s painting is the very first thing you will see if you visit The Rossettis at Tate Britain, the exhibition I will be introducing this coming Monday, 15 May at 6.00pm. It’s the perfect choice to start this exhibition, as I will explain below, andContinue reading “195 – Behold!”
Author Archives: drrichardstemp
194 – Visionary, too
Hilma af Klint, Tree of Knowledge, No. 1, 1913-15. Glenstone Museum, Potomac, Maryland. Tate is currently hosting a remarkable exhibition, Hilma af Klint & Piet Mondrian, about which I will be talking this Monday, 8 May at 6.00pm. It is remarkable, I think, in that it combines two artists who never met, and who, inContinue reading “194 – Visionary, too”
193 – Visionary
Paul Gauguin, Vision of the Sermon (Jacob Wrestling with the Angel), 1888. National Galleries of Scotland, Edinburgh. From Shaping Impressionism last week, I am moving on to After Impressionism, the big blockbuster of a show at the National Gallery which I will introduce this Monday, 1 May at 6.00pm, hence my discussion of Paul GauguinContinue reading “193 – Visionary”
192 – Role reversal
Berthe Morisot, Eugène Manet on the Isle of Wight, 1875. Musée Marmottan Monet, Paris. Last week I talked about a traditional, old fashioned couple, where the man was in the driving seat. This week, we will see woman take the reins: Madame Manet, better known by the name she called herself – as she neverContinue reading “192 – Role reversal”
191 – In the driving seat
Jan Gossaert, An Elderly Couple, about 1520. National Gallery, London. Today’s painting is one that I have loved for years, but rarely get to speak about, so it was a great pleasure to see it in the National Gallery’s exhibition The Ugly Duchess, about which I will be talking this Monday, 17 April at 6pm.Continue reading “191 – In the driving seat”
190 – Leading a still life
Giorgio Morandi, Still Life, 1936. Magnani-Rocca Foundation, Mamiano di Traversetolo, Parma. Thank you to everyone who signed up for my two Vermeer talks: it made it so worthwhile to have such an eager audience. However, if you weren’t free, I will be delivering another introduction to the Rijksmuseum’s Vermeer – in person this time –Continue reading “190 – Leading a still life”
Three years on…
Day 1 – Titian, The Rape of Europa, 1562. Isabella Stewart Gardner Museum, Boston. So – it’s three years since I started writing this blog! On the 17 March I walked into London to see the National Gallery’s Titian, and, realising that all the museums were closing, all the theatres were shut, and all myContinue reading “Three years on…”
The Milkmaid Returns (again)
Johannes Vermeer, The Milkmaid, c. 1660. Rijksmuseum, Amsterdam. The Milkmaid, to whom I want to return today, rejoices in a room to herself in the Rijksmuseum’s stunning Vermeer. Brilliantly reviewed, and now completely sold out, the exhibition will be the subject of my talk this Monday, 13 February at 6pm which I have called Vermeer:Continue reading “The Milkmaid Returns (again)”
189 – Vermeer… of Delft
Johannes Vermeer, View of Delft, c. 1660-61. Mauritshuis, The Hague. As I start writing, I am on the verge of flying to Amsterdam. By the time you read this, though, I will have spent the day in Delft, visiting the viewpoint from which Vermeer saw his native city, seeing the streets he lived and workedContinue reading “189 – Vermeer… of Delft”
Donatello, take 2…
Donatello, The Feast of Herod, c. 1435, Palais des Beaux-Arts, Lille. Well, I’m just off out to talk about Donatello, so I’m afraid I don’t have the time to write a new post now. Instead, I’m going to revisit a post from 6 May 2020: it was Picture of the Day 49. Re-reading it, I wasContinue reading “Donatello, take 2…”