Fede Galizia, Noli mi tangere, 1616, Pinacoteca di Brera, Milan. Great news this week, which I know some of you will have heard already. But just in case you haven’t, I’m glad to let you know that the National Gallery has managed to completely re-schedule the Artemisia Gentileschi exhibition. And not only that, but theyContinue reading “104 – Don’t touch!”
Author Archives: drrichardstemp
103 – The Last Supper
Giotto, The Last Supper, c. 1305, Scrovegni Chapel, Padua. I know, it’s supposed to be Scrovegni Saturday, not Scrovegni Sunday, but it’s been one of those weeks. Apart from anything else, this is the first thing I’m typing on a new laptop, the old one having gradually wound down throughout lockdown. I’ve spent the lastContinue reading “103 – The Last Supper”
102 – Jesus… and Judas
Giotto, The Entry into Jerusalem, The Expulsion of the Money-changers from the Temple and The Betrayal of Judas, c. 1305, Scrovegni Chapel, Padua. Welcome back to Scrovegni Saturday! We are, in some ways, approaching the beginning of the end, as we head towards the end of the sequence of Jesus’s life in the middle of the walls, andContinue reading “102 – Jesus… and Judas”
101 – Spinning a Yarn
Diego Velázquez, ‘Las Hilanderas’, 1655-60, The Prado, Madrid. Had Picture Of The Day not ended on a Saturday, then this would have been POTD 100 – for reasons which should eventually become clear. But I couldn’t shift Scrovegni Saturday, now, could I? And had I got my skates on during the Velázquez lecture (thank you to all thoseContinue reading “101 – Spinning a Yarn”
Day 100 – A New Life
Giotto, The Raising of Lazarus, c. 1305 Scrovegni Chapel, Padua. We looked at The Raising of Lazarus a few days ago, in the dark and mysterious painting by Henry Ossawa Tanner in the Musée d’Orsay (Picture Of The Day 95). Admittedly his work is titled ‘Resurrection’ rather than ‘Raising’, but that might be a result of translation fromContinue reading “Day 100 – A New Life”
Day 99 – Paradise
Giovanni di Paolo, Paradise, 1445, Metropolitan Museum of Art, New York. Since yesterday, nothing drastic has happened – and so I give you a vision of Paradise, the rabbits, more numerous since the days of Adam and Eve, still nibbling peaceably at the grass. I don’t know about you, but back in the middle of March IContinue reading “Day 99 – Paradise”
Day 98 – Out of Eden
Giovanni di Paolo, The Creation of the World and the Expulsion from Paradise, 1445, Metropolitain Museum of Art, New York. I alluded yesterday (Picture Of The Day 97) to the medieval conception of the Universe, in relation to the tapestries across the top of the walls in the tower of The Lady of Shalott – so what betterContinue reading “Day 98 – Out of Eden”
Day 97 – The Mirror Crack’d
William Holman Hunt, The Lady of Shalott, 1886-1905, Wadsworth Atheneum, Hartford CT. Finally, after 97 days, I’ve found the perfect expression of the lockdown. I’m beginning to understand how this Lady feels. I suspect we’ve all been going through this for a while now – “I am half sick of shadows,” said the Lady of Shalott.Continue reading “Day 97 – The Mirror Crack’d”
Day 96 – Clara Peeters
Clara Peeters, Stil Life with Cheeses, Almonds and Pretzels, c. 1615, Mauritshuis, The Hague. There’s just time for a couple more reflections on art/in art before tomorrow evening. So far we’ve thought about mirrors as a symbol of both Vanity and Prudence (Picture Of The Day 92), and for their ability to create an image, which, likeContinue reading “Day 96 – Clara Peeters”
Day 95 – Lazarus
Henry Ossawa Tanner, The Resurrection of Lazarus, 1896, Musée d’Orsay, Paris. We last saw Henry Ossawa Tanner painting a genre scene, The Banjo Lesson, in Picture Of The Day 81. Painted in 1893 during one of his few returns to the States after he had settled in France in 1891, he took it back with him to Paris,Continue reading “Day 95 – Lazarus”
