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177 – Taking Germany by storm

Gabriele Münter, Portrait of Anna Roslund, 1917. New Walk Museum and Art Gallery, Leicester. I love exhibitions which truly have something new to offer, and Making Modernism at the Royal Academy is, for me at least, one of those – so I’m looking forward to talking about it this Monday, 21 November at 6pm. MyContinue reading “177 – Taking Germany by storm”

176 – All change!

Salvador Dalí, Metamorphosis of Narcissus, 1937. Tate. Salvador Dalí was a Surrealist, obviously, and, some would say, the Arch-Surrealist. In 1934 he even claimed a form of ‘über-Surrealism’ when he explained that ‘The difference between the Surrealists and me is that I am a Surrealist’ – a typically Surreal statement. As such, like all membersContinue reading “176 – All change!”

Second Impressions

Mary Cassatt, The Tea, about 1880, Museum of Fine Arts, Boston. Things have been building up with all the exhibitions opening over the past few weeks, and I’ve run out of time – so, time for a re-post! But what to choose? Would would be relevant to the National Gallery’s third exhibition to open this autumn,Continue reading “Second Impressions”

175 – Solid and durable

Paul Cézanne, Mont Sainte-Victoire, 1886-87. The Phillips Collection, Washington, D.C. Mont Sainte-Victoire was undoubtedly Paul Cézanne’s favourite landscape motif. He painted it over 80 times, but, to keep a handle on things, today I’m just going to look at one. However, my next talk, on Monday, 24 October at 6pm, will be an introduction toContinue reading “175 – Solid and durable”

174 – Freudian

Lucian Freud, Painter and Model, 1986-7. Private Collection. I think it is an unacknowledged sign of ageing that more and more I am aware of a succession of artists’ retrospectives. The exhibition to celebrate Lucian Freud’s 80th Birthday, for example, at the relatively-recently renamed Tate Britain in 2002. Or the 90th Anniversary exhibition in 2012,Continue reading “174 – Freudian”

173 – Illuminating

Eadfrith, Chi-Rho page, The Lindisfarne Gospels (Cotton MS Nero DIV, f. 29r), c. 700. British Library London. Today I’m going to look at one page of one book. It is, surely, one of the most spectacular pages of what is – according to every account you read – one of the most spectacular survivals fromContinue reading “173 – Illuminating”

172 – Incisive

Winslow Homer, The Army of the Potomac – A Sharp-Shooter On Picket Duty, 1862. Metropolitan Museum of Art, New York. Today I want to look at an engraving as a way of introducing the work of a great painter: Winslow Homer. This is, of course, by way of an introduction my talk this Monday, 3Continue reading “172 – Incisive”

171 – All together now…!

Attributed to Michelangelo, Study for one of the Medici tombs at San Lorenzo, 1524. Musée du Louvre, Paris. Gesamtkunstwerk. It’s the word that Wagner used in 1849 to describe his ideal art form, with all genres of art working together through theatre. Of course it applies specifically to opera, which involves music, drama, and visualContinue reading “171 – All together now…!”

170 – Drawing to an end

Michelangelo, The Fall of Phaethon, 1533. The Royal Collection/HM King Charles III. This week, a drawing from the Royal Collection – it seems apt. And, although Monday sees the funeral of its former owner, Queen Elizabeth (she held it in trust for the nation), I have decided to go ahead with my talk, Michelangelo 3:Continue reading “170 – Drawing to an end”

169 – Michelangelo’s Lost Love

Alessandro Algardi, Sleep, 1635-6. Museo Borghese, Rome. Yes, you’re right, this is not a sculpture by Michelangelo. Nor is it, for that matter, ‘Love’. You might have realised that already from the photograph – or for that matter, simply by reading the caption. But I do love this work – and after Bernini’s flashy showpiecesContinue reading “169 – Michelangelo’s Lost Love”