Psyche, a coda (a repeat)

Antonio Canova, Psyche revived by Cupid’s Kiss, 1787-93, Louvre, Paris. So far in my series on sculpture I haven’t mentioned Antonio Canova, although I will this Monday, 20 June at 6.00pm, when I will discuss the very substance of art (or, at least, the different substances from which sculpture is made), in a talk entitled Material:Continue reading “Psyche, a coda (a repeat)”

159 – Michelangelo, holding a candle…

Michelangelo Buonarroti, Angel, 1494-5. San Domenico, Bologna. You would think that no one could hold a candle to Michelangelo – but everyone has to start somewhere, and the young sculptor must have learnt from someone. Indeed, today’s work is an example of the young genius responding – directly and overtly – to someone else’s work,Continue reading “159 – Michelangelo, holding a candle…”

Back to the Chase

Gian Lorenzo Bernini, Apollo and Daphne, 1622-25, Museo Borghese, Rome. It’s got to that stage… I was wondering what to blog about this week as an introduction to my new lecture series, Sculpture: Form, Function, Material and Memory and I realised that a great choice would be Bernini’s astonishing Apollo and Daphne. Indeed, I was rather surprisedContinue reading “Back to the Chase”

157 – Florid

Caterina Angela Pierozzi, The Annunciation Miniature, 1677. Colnaghi, London. I’ve just read a wonderful article in the New York Times, A Messy Table, a Map of the World by Jason Farago, and I’m half inclined to post a link to that today (which I have) and leave it at that. It’s a richly illustrated piece,Continue reading “157 – Florid”

156 – Second helpings at the Feast

Donatello, The Feast of Herod, 1423-7. Baptismal Font, Battistero di San Giovanni Battista, Siena. ‘Please, sir, I want some more.’  OK, so it seems extremely unlikely that these words, said by Oliver Twist in the eponymous novel by Charles Dickens, and so often misquoted, nor indeed anything like them, would ever have been uttered atContinue reading “156 – Second helpings at the Feast”

155 – Pre-Announced

Raphael, The Annunciation, c. 1506-7. Nationalmuseum, Stockholm. I’ve said in two different lectures (to two different audiences) that I intend to write about this drawing, thus announcing the Annunciation. I’d not seen it before my first visit to the glorious Raphael exhibition at the National Gallery, but it grabbed my attention, and instantly became myContinue reading “155 – Pre-Announced”

Revisiting Raphael

Raphael Sanzio, The Crucified Christ with the Virgin Mary, Saints and Angels, about 1502-3, National Gallery, London. Happy Easter! And greetings from Vienna! I’m here with a group, and actually wrote this paragraph in London on Easter Monday: I’m sure I’ll have to do a bit of preparation before I go. However, the blog below wasContinue reading “Revisiting Raphael”

154 – A Feast for the eyes

Donatello, The Feast of Herod, 1423-7. Baptismal Font, Battistero di San Giovanni Battista, Siena. The Donatello exhibition in Florence is truly remarkable, an astonishing achievement, given that sculptures have been transported from churches and cathedrals across Italy, including several which have left their original settings for the first time since they were installed. Others haveContinue reading “154 – A Feast for the eyes”

153 – Fly on the Wall?

Carlo Crivelli, Madonna and Child, c. 1480. The Metropolitan Museum of Art, New York. Buona Festa! The ‘Festa’ in question is the Feast of the Annunciation, or, to give it its English name, Lady Day. It’s the reason why we (in the UK) have Mother’s Day this weekend, rather than in May like everyone else.Continue reading “153 – Fly on the Wall?”