Category Archives: Women artists

206 – ‘The cat will mew…’

Agnes Miller Parker, The Uncivilised Cat, 1930. The Fleming Collection. My visit to Glasgow is rapidly drawing to a close, but my Scottish September still has one last blast: an introduction to the Fleming Collection’s rich and rewarding exhibition Scottish Women Artists: 250 Years of Challenging Perception, which you can catch at Dovecot Studios inContinue reading “206 – ‘The cat will mew…’”

204 – From May to September…

Margaret Macdonald Mackintosh, The May Queen, 1900. Kelvingrove Art Gallery and Museum, Glasgow. My Elemental August is drawing to a close: thank you to all of you who attended the talks. I will miss that particular group of women with their resonances of time and place, training and travel, but it’s time to move onContinue reading “204 – From May to September…”

202 – Flora, from Florence

Evelyn De Morgan, Flora, 1894. De Morgan Collection. There have been a plethora of exhibitions of the work of Evelyn De Morgan in the past few years, but I am only now in a position to dedicate an entire talk to her (on Monday 21 August at 6pm), thanks to the exhibition The Gold DrawingsContinue reading “202 – Flora, from Florence”

201 – The Presence of Absence

Gwen John, A Corner of the Artist’s Room in Paris, c. 1907-9. Sheffield Museums Trust. When I saw the subject of today’s post in the exhibition Gwen John: Art and Life in London and Paris (about which I will be talking this Monday, 14 August at 6pm), it seemed remarkably familiar to me – thereContinue reading “201 – The Presence of Absence”

200 – Ede and Rie and Kettle’s Yard

Lucie Rie, Bowl (brown and white inlaid line), 1974. Kettle’s Yard, Cambridge. I first fell in love with the work of Lucie Rie when I was a student working as a volunteer at Kettle’s Yard, the inspirational home of Jim and Helen Ede, and now one of the University of Cambridge Museums – but moreContinue reading “200 – Ede and Rie and Kettle’s Yard”

197 – Lavinia, Mary and Margaret

Lavinia Fontana, The Holy Family with Saints Margaret and Francis, 1578. Davis Museum at Wellesley College, Wellesley, MA. It is very rare that a museum can present an exhibition of the work of an artist who is not only very good, but also relatively unknown – especially when they lived in the 16th Century. ButContinue reading “197 – Lavinia, Mary and Margaret”

194 – Visionary, too

Hilma af Klint, Tree of Knowledge, No. 1, 1913-15. Glenstone Museum, Potomac, Maryland. Tate is currently hosting a remarkable exhibition, Hilma af Klint & Piet Mondrian, about which I will be talking this Monday, 8 May at 6.00pm. It is remarkable, I think, in that it combines two artists who never met, and who, inContinue reading “194 – Visionary, too”

192 – Role reversal

Berthe Morisot, Eugène Manet on the Isle of Wight, 1875. Musée Marmottan Monet, Paris. Last week I talked about a traditional, old fashioned couple, where the man was in the driving seat. This week, we will see woman take the reins: Madame Manet, better known by the name she called herself – as she neverContinue reading “192 – Role reversal”

186 – Morisot and Motherhood

Berthe Morisot, Le Berceau, 1872. Musée d’Orsay, Paris. My series of talks, Women Artists, 79-1879 (the first 1800 years) comes to an end on Monday, 6 February with Week 5 – Getting Real. The title refers to the artistic movement known as Realism, which may or may not be relevant to Rosa Bonheur (a problemContinue reading “186 – Morisot and Motherhood”