272 – Dressing up and making believe

Michaelina Wautier, Two Girls as Saints Agnes and Dorothy, c. 1655. Royal Museum of Fine Arts Antwerp. Greetings from Vienna! I’ve just got back to my hotel having seen Canaletto & Bellotto – it’s superb, but more of that later. I also bumped into one of you first thing, which was delightful, if confusing (IContinue reading “272 – Dressing up and making believe”

271 – Drunk on light

Georges Seurat, Study for ‘The Shore at Bas-Butin (Honfleur)’, 1886. Baltimore Museum of Art. I’ve mentioned it a couple of times already, but The Courtauld’s enormously successful Seurat and the Sea is selling out regularly – but not too far in advance, fortunately (most days next week are still available, for example). I will beContinue reading “271 – Drunk on light”

270 – Don’t sing a nocturne just yet

Anders Zorn, Midnight, 1891. Zornmuseet, Mora. I am looking forward to paying a return visit to the wonderful exhibition I saw in Hamburg earlier this year for Anders Zorn (Part II) at 6:00pm on Monday, 16 March. This will be a second chance to enjoy the rich colour and painterly splendour of Sweden’s great artist,Continue reading “270 – Don’t sing a nocturne just yet”

269 – A – Z (II) – William Nicholson was an Artist

William Nicholson, A was an Artist, from An Alphabet, published by William Heinemann, 1897. UK Government Art Collection. A few weeks back I wrote a post From A – Z playing on the idea that the letters were Anders Zorn’s initials. I hadn’t remembered at the time that one of the earliest independent works byContinue reading “269 – A – Z (II) – William Nicholson was an Artist”

Freudian (time) slip

Lucian Freud, Painter and Model, 1986-7. Private Collection. When I first published this post I suggested that it was an unacknowledged sign of ageing that I am increasingly aware of a succession of artists’ retrospectives. For example, there was the exhibition to celebrate Lucian Freud’s 80th Birthday at the then relatively-recently renamed Tate Britain inContinue reading “Freudian (time) slip”

266 – A Room of One’s Own

Anna Ancher, Evening Sun in the Artist’s Studio at Markvej, after 1913. Skagens Museum, Skagen, Denmark. Over the next two weeks I will be giving two talks about Scandinavian artists. This Monday, 26 January I’m starting with Anna Ancher, the wonderful but relatively little-known (as far as the UK public is concerned) Danish artist. HerContinue reading “266 – A Room of One’s Own”

The End of the Rainbow

John Constable, Salisbury Cathedral from the Meadows, 1830-31. Tate Britain, London. Happy New Year! I’m looking forward to getting going straight away, and even before Christmas has officially ended. On 5 January 2026 at 6:00pm (which is the 12th Day of Christmas) I will be talking about Tate’s superb Turner & Constable exhibition, which is worthContinue reading “The End of the Rainbow”

264 Caravaggio: If music… (b).

Michelangelo Merisi da Caravaggio, The Musicians, 1597. The Metropolitan Museum of Art, New York. The two one-painting exhibitions in London at the moment have a lot in common, and so do the artists who are represented. Apart from anything else, music and love are major themes, and in my blog last week I quoted theContinue reading “264 Caravaggio: If music… (b).”

262 – Stand well back

Joseph Wright of Derby, The Annual Girandola at the Castel Sant’Angelo, 1775-76. Walker Art Gallery, Liverpool. Wright of Derby: From the Shadows – the exhibition at The National Gallery which I will be talking about this Monday, 24 November at 6pm – is one of those exhibitions which takes a small slice of an artist’sContinue reading “262 – Stand well back”

261 – Joining the dots

Anna Boch, During the Elevation, 1893. Mu.ZEE, Ostend. I confess that I have never visited the Kröller-Müller Museum in Otterlo, despite the fact that it has the most extraordinary collection of paintings: before the opening of the Van Gogh Museum in Amsterdam, for example, this was the best collection of his work. The majority ofContinue reading “261 – Joining the dots”