Duccio, The Virgin and Child with Saint Dominic and Saint Aurea, and Patriarchs and Prophets, about 1312-15 (?). The National Gallery, London. I first posted today’s blog just before I gave my first independent Zoom talk four years ago, on 8 February. And here it is, back again, to announce the first of my seriesContinue reading “Double Duccio”
Tag Archives: History of Art
241 – Vasari vs Veracity
Amanzio Cattaneo, Parmigianino surprised by landsknechts in his studio, 1854. Galleria Nazionale di Parma. I am reaching the end of my series of talks examining all aspects of The National Gallery’s The Vision of Saint Jerome, and will conclude with a talk about The Sack of Rome this Monday, 3 February at 6pm. To tieContinue reading “241 – Vasari vs Veracity”
Bringing ‘The Resurrection’ back to life
Donatello, The Resurrection, c. 1460-65. San Lorenzo, Florence. On Monday 20 January at 6pm I am going to try and answer the question What is Mannerism?. I hope this will put Parmigianino’s masterpiece, which I discussed earlier in the week, into a broader artistic context. However, it’s been one of those weeks, and as thereContinue reading “Bringing ‘The Resurrection’ back to life”
239 – Saint Christina of Bolsena!
Luca Signorelli, Virgin and Child with Saints, 1515. The National Gallery, London. This Monday, 13 January I will be talking about the National Gallery’s superb, small-scale exhibition Parmigianino: The Vision of Saint Jerome, expanding on what is on display with reference to the superb and thoroughly researched catalogue. Earlier this week, while talking about theContinue reading “239 – Saint Christina of Bolsena!”
238 – Following the Magi
Masaccio, The Adoration of the Magi, 1426. Gemäldegalerie, Staatliche Museen zu Berlin. Happy New Year! And as Monday will be the Feast of the Epiphany, I thought that it would be a good idea to talk about a painting of The Adoration of the Magi today. I have chosen Masaccio’s version rather than any ofContinue reading “238 – Following the Magi”
237 – Monet, looking at London
Claude Monet, The Thames below Westminster, about 1871. The National Gallery, London. Keep looking – that’s the most important thing. If you keep looking you keep learning. I certainly do: it’s one of the things I most enjoy about writing this blog. But then, check that what you’ve learnt from what you see is correctContinue reading “237 – Monet, looking at London”
235 – Raphael, after himself
After four weeks talking about the Royal Academy’s superb exhibition celebrating the ‘chance’ encounters of Michelangelo, Leonardo and Raphael in Florence, it will be a pleasure to keep the momentum going this Monday, 9 December by including just a few of their works in my introduction the King’s Gallery exhibition Drawing the Italian Renaissance. ThereContinue reading “235 – Raphael, after himself”
234 – Raphael, after Leonardo, and after Michelangelo
Raphael, St Catherine of Alexandria, about 1507. The National Gallery, London. After discussing Michelangelo and Leonardo, I looked at Raphael on Monday, and so we are all set up for the last of my four talks relating to the Royal Academy’s ‘perfect’ exhibition, Michelangelo, Leonardo, Raphael: Florence c. 1504, this Monday 2 December. It willContinue reading “234 – Raphael, after Leonardo, and after Michelangelo”
Re-Announced
Raphael, The Annunciation, c. 1506-7. Nationalmuseum, Stockholm. This week I had planned to write about a drawing by Raphael after a painting by Leonardo – but as predicted, I’ve run out of time. So instead, I will re-post an entry about a drawing by Raphael which may have been made for a painting by someoneContinue reading “Re-Announced”
233 – Leonardo, hatching ideas
As I said on Monday, when talking about Michelangelo, the Royal Academy’s Michelangelo, Leonardo, Raphael: Florence, c. 1504 constitutes, for me, the perfect exhibition. It is beautifully focussed, with great art, all of which has a reason for being there, and it elucidates with clarity a small moment in the History of Art which hadContinue reading “233 – Leonardo, hatching ideas”
dr richard stemp 