Fra Angelico, The Forerunners of Christ with Saints and Martyrs, about 1423-4. The National Gallery, London. So far I have discussed most of what can be seen in the glorious Fra Angelico exhibition/s in Florence, covering the first room in San Marco and most rooms in the Palazzo Strozzi. However, if you manage to getContinue reading “259 – There are more things in Heaven and Earth…”
Category Archives: Bible
258 – Who’s Who in Heaven?
Fra Angelico, The Virgin Mary with the Apostles and Other Saints, about 1423-4. The National Gallery, London. Greetings from Florence! I’m currently in the middle of introducing a second group to the delights of the first half of the 15th century, with a rich array of works related to the career of Guido di Pietro,Continue reading “258 – Who’s Who in Heaven?”
257 – Unite the Kingdom (of Heaven)
Fra Angelico, Christ Glorified in the Court of Heaven, about 1423-24. The National Gallery, London. I have just returned from my first visit to the glorious exhibition Fra Angelico in Florence. Spread across two venues – Palazzo Strozzi and San Marco – it is the most comprehensive collection of works by this Dominican master thatContinue reading “257 – Unite the Kingdom (of Heaven)”
The Annunciation, again (again)
Veit Stoss, The Annunciation, 1517-18, St Lorenzkirche, Nuremberg. Another repost, as I’m on holiday in Shetland (although for obvious reasons I wrote this before I left home). As my talk, this Monday 4 August at 6pm, will be particularly concerned with Duccio’s Annunciation, I thought I’d look back to a far different version of the narrativeContinue reading “The Annunciation, again (again)”
252 – Beauty and the Beast
Netherlandish or French, The Madonna and Child with Saints Louis and Margaret, about 1510. The National Gallery, London. My first talk about the newly refurbished Sainsbury wing, this Monday, 30 June at 6pm, is entitled Opening up the North. There are various reasons for choosing this title, which I will discuss during the talk itself.Continue reading “252 – Beauty and the Beast”
248 – More value than many sparrows
Max Liebermann, Free Time in the Amsterdam Orphanage, 1881-82. Städel Museum, Frankfurt. German Impressionism – the subject of my talk on Monday, 19 May – was not a direct rejection of the pristine surfaces and clear, crisp colours of the Nazarenes, who I talked about earlier this week, but it so easily could have been.Continue reading “248 – More value than many sparrows”
247 – In the midst of the doctors?
Marie Ellenrieder, Christ in the Temple, 1849. Royal Collection Trust. My next stop on the journey through early modern German art will be The Nazarenes, this Monday, 12 May at 6pm. If you’ve never heard of them, don’t worry, but they are rather wonderful and should be known! Nevertheless, a striking feature of the HistoryContinue reading “247 – In the midst of the doctors?”
Revisiting the Virtues in Colour
Ambrogio Lorenzetti, Maestà, c. 1335. Museo di Arte Sacra, Massa Marittima. Siena: The Rise of Painting 1300-1350 at the National Gallery is undoubtedly the most beautiful exhibition I have seen for many years, and I can’t wait to tell you all about it this coming Monday, 24 March at 6pm. It charts, as the titleContinue reading “Revisiting the Virtues in Colour”
243 – Our most delightful Simone
Simone Martini, Christ discovered in the Temple, 1342. Walker Art Gallery, Liverpool. As an undergraduate studying the History of Art, I and my fellow students held Simone Martini in especially high regard, finding our developing vocabulary inadequate to describe the ineffable beauty of his paintings. We were incredibly lucky to have a great, local treasure,Continue reading “243 – Our most delightful Simone”
240 – A mother’s grief
Raphael, The Deposition, 1507. Galleria Borghese, Rome. I will be talking about Women as Patrons in the Renaissance this Monday, 27 January at 6pm, and so today I want to take a look at one of the most famous of the relatively few works of art which actually was commissioned by a woman. One ofContinue reading “240 – A mother’s grief”