John Constable, Salisbury Cathedral from the Meadows, 1830-31. Tate Britain, London. I’m so sorry, I don’t know what happened yesterday. I started editing this post, then went out to dinner… Later in the evening I found out that it had been published somehow, without my knowledge! Given that you have to click ‘publish’ twice, and IContinue reading “Take Two: The (Definitive) End of the Rainbow”
Category Archives: Landscape
262 – Stand well back
Joseph Wright of Derby, The Annual Girandola at the Castel Sant’Angelo, 1775-76. Walker Art Gallery, Liverpool. Wright of Derby: From the Shadows – the exhibition at The National Gallery which I will be talking about this Monday, 24 November at 6pm – is one of those exhibitions which takes a small slice of an artist’sContinue reading “262 – Stand well back”
261 – Joining the dots
Anna Boch, During the Elevation, 1893. Mu.ZEE, Ostend. I confess that I have never visited the Kröller-Müller Museum in Otterlo, despite the fact that it has the most extraordinary collection of paintings: before the opening of the Van Gogh Museum in Amsterdam, for example, this was the best collection of his work. The majority ofContinue reading “261 – Joining the dots”
250 – What’s in a name?
Victor Hugo, The Cheerful Castle, c. 1847. Maisons de Victor Hugo Paris/Guernsey. This week – Monday 2 June at 6pm, to be precise – I am looking forward to talking about the truly astonishing drawings by Victor Hugo in the Royal Academy’s aptly named exhibition Astonishing Things. If I’m honest, I went to see itContinue reading “250 – What’s in a name?”
246 – Lonely as a Cloud?
Caspar David Friedrich, Wanderer above the Sea of Fog, about 1817. Kunsthalle, Hamburg. Caspar David Friedrich’s Wanderer above the Sea of Fog is one of the archetypal images of German Romanticism – so what better painting to look at as an introduction to my eponymous talk this Monday, 5 May at 6pm? To be honest,Continue reading “246 – Lonely as a Cloud?”
240 – A mother’s grief
Raphael, The Deposition, 1507. Galleria Borghese, Rome. I will be talking about Women as Patrons in the Renaissance this Monday, 27 January at 6pm, and so today I want to take a look at one of the most famous of the relatively few works of art which actually was commissioned by a woman. One ofContinue reading “240 – A mother’s grief”
239 – Saint Christina of Bolsena!
Luca Signorelli, Virgin and Child with Saints, 1515. The National Gallery, London. This Monday, 13 January I will be talking about the National Gallery’s superb, small-scale exhibition Parmigianino: The Vision of Saint Jerome, expanding on what is on display with reference to the superb and thoroughly researched catalogue. Earlier this week, while talking about theContinue reading “239 – Saint Christina of Bolsena!”
238 – Following the Magi
Masaccio, The Adoration of the Magi, 1426. Gemäldegalerie, Staatliche Museen zu Berlin. Happy New Year! And as Monday will be the Feast of the Epiphany, I thought that it would be a good idea to talk about a painting of The Adoration of the Magi today. I have chosen Masaccio’s version rather than any ofContinue reading “238 – Following the Magi”
237 – Monet, looking at London
Claude Monet, The Thames below Westminster, about 1871. The National Gallery, London. Keep looking – that’s the most important thing. If you keep looking you keep learning. I certainly do: it’s one of the things I most enjoy about writing this blog. But then, check that what you’ve learnt from what you see is correctContinue reading “237 – Monet, looking at London”
236 – Rubens, before Constable
Peter Paul Rubens, A View of Het Steen in the Early Morning, probably 1636. The National Gallery, London. After five weeks talking about the Italian Renaissance I’m going to take a break and head forward to the 19th Century. There is a direct line to be drawn, I think, from Constable, via Monet, to VanContinue reading “236 – Rubens, before Constable”
dr richard stemp 