Michelangelo Merisi da Caravaggio, The Musicians, 1597. The Metropolitan Museum of Art, New York. The two one-painting exhibitions in London at the moment have a lot in common, and so do the artists who are represented. Apart from anything else, music and love are major themes, and in my blog last week I quoted theContinue reading “264 Caravaggio: If music… (b).”
Category Archives: Still Life
231 – in Waiting
Michael Craig-Martin, (title in waiting, read below), 2001. Gagosian. I’m just back from a fantastic week in Italy following The Piero della Francesca Trail – and looking forward to doing it all again next March (go right to the bottom of the page). I’m also looking forward to picking up on Van Gogh’s idea ofContinue reading “231 – in Waiting”
Sunflowers – a repetition
Vincent van Gogh, Sunflowers, 1888. National Gallery, London. In 1924, a hundred years ago, The National Gallery acquired Vincent van Gogh’s Sunflowers. It was the centenary of their foundation. This year, the bicentenary, they are celebrating this acquisition – together with that of Van Gogh’s Chair, bought in the same year – with an exhibitionContinue reading “Sunflowers – a repetition”
222 – Potentially singing
Carel Fabritius, The Goldfinch, 1654. Mauritshuis, The Hague. Some paintings are so simple they seem obvious, while others simply defy explanation. I feel certain that today’s painting falls somewhere between the two: a painting of a bird that has somehow become an international celebrity, with an expression as inscrutable as the Mona Lisa, or, closerContinue reading “222 – Potentially singing”
Doggedly re-posting
William Hogarth, The Painter and his Pug, 1745. Tate Britain, London. I’m not much of a dog person, but I have developed a fondness for William Hogarth’s pet pug, not least because it rejoiced in the name of Trump (no relation). This portrait – if that’s what it is – belongs to Tate, rather thanContinue reading “Doggedly re-posting”
206 – ‘The cat will mew…’
Agnes Miller Parker, The Uncivilised Cat, 1930. The Fleming Collection. My visit to Glasgow is rapidly drawing to a close, but my Scottish September still has one last blast: an introduction to the Fleming Collection’s rich and rewarding exhibition Scottish Women Artists: 250 Years of Challenging Perception, which you can catch at Dovecot Studios inContinue reading “206 – ‘The cat will mew…’”
190 – Leading a still life
Giorgio Morandi, Still Life, 1936. Magnani-Rocca Foundation, Mamiano di Traversetolo, Parma. Thank you to everyone who signed up for my two Vermeer talks: it made it so worthwhile to have such an eager audience. However, if you weren’t free, I will be delivering another introduction to the Rijksmuseum’s Vermeer – in person this time –Continue reading “190 – Leading a still life”
188 – Of Cabbages
Alison Watt, Frances, 2022. Courtesy the Artist and Parafin, currently on view at Tristan Hoare. When I first started writing this blog, on 19 April 2020 (the week before lockdown – see Day 1 – The Rape of Europa), I nominated one of the fish in Titian’s painting as ‘the Best Fish in Art’, andContinue reading “188 – Of Cabbages”
162 – Betrayal Redeemed
Cornelia Parker, Thirty Pieces of Silver, 1988. Tate. Given that my current series of talks is called Looking in Different Ways, Cornelia Parker, about whom I will be talking this Monday, 18 July at 6pm, is a perfect choice. She sees the world in such a completely different way to most artists, and, with allContinue reading “162 – Betrayal Redeemed”
157 – Florid
Caterina Angela Pierozzi, The Annunciation Miniature, 1677. Colnaghi, London. I’ve just read a wonderful article in the New York Times, A Messy Table, a Map of the World by Jason Farago, and I’m half inclined to post a link to that today (which I have) and leave it at that. It’s a richly illustrated piece,Continue reading “157 – Florid”
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