201 – The Presence of Absence

Gwen John, A Corner of the Artist’s Room in Paris, c. 1907-9. Sheffield Museums Trust. When I saw the subject of today’s post in the exhibition Gwen John: Art and Life in London and Paris (about which I will be talking this Monday, 14 August at 6pm), it seemed remarkably familiar to me – thereContinue reading “201 – The Presence of Absence”

200 – Ede and Rie and Kettle’s Yard

Lucie Rie, Bowl (brown and white inlaid line), 1974. Kettle’s Yard, Cambridge. I first fell in love with the work of Lucie Rie when I was a student working as a volunteer at Kettle’s Yard, the inspirational home of Jim and Helen Ede, and now one of the University of Cambridge Museums – but moreContinue reading “200 – Ede and Rie and Kettle’s Yard”

Day 54 – Psyche V: ‘Reawakening’

Anthony van Dyck, Cupid and Psyche, 1639-40, Royal Collection Trust. This is another re-post, but somehow, and I really don’t know how, I managed to delete the original quite a long time ago. I was probably on a train with dodgy WiFi, and maybe even using my phone, all of which would generally result inContinue reading “Day 54 – Psyche V: ‘Reawakening’”

Re-telling the tale (Spinning a Yarn)

Diego Velázquez, ‘Las Hilanderas’, 1655-60, The Prado, Madrid. Another ‘re-post’ today, as I am currently in Glasgow researching a trip which is coming up in September for Artemisia, details of which can be found in the diary (along with everything else, of course). It looks at a painting which concerns the maltreatment of a human by aContinue reading “Re-telling the tale (Spinning a Yarn)”

199 – The One that Got Away

Hans Holbein the Younger, Christina of Denmark, Duchess of Milan, 1538. The National Gallery, London. The subject of today’s portrait, Christina of Denmark, Duchess of Milan, appears in one of the paintings in the Holburne Museum’s gem of an exhibition, Painted Love: Renaissance Marriage Portraits, which, if you’re interested, I will tell you about onContinue reading “199 – The One that Got Away”

Saint Francis, re-framed

Giovanni Bellini, St Francis in the Desert, c. 1476-78, Frick Collection, New York. The National Gallery’s exhibition, Saint Francis of Assisi, which I will talk about this Monday, 19 June at 6pm, is refreshingly beautiful. It includes a superb and eclectic choice of objects which are beautifully hung and expertly curated to tell a clear storyContinue reading “Saint Francis, re-framed”

198 – Looking beneath the surface

Johannes Vermeer, Woman Writing a Letter, with her Maid, c. 1670. National Gallery of Ireland, Dublin. Today’s painting was my real ‘discovery’ of the Rijksmuseum’s Vermeer, a painting I hardly knew, and might not even have seen before. I think I had been to the National Gallery of Ireland twice, very briefly, before my recentContinue reading “198 – Looking beneath the surface”

197 – Lavinia, Mary and Margaret

Lavinia Fontana, The Holy Family with Saints Margaret and Francis, 1578. Davis Museum at Wellesley College, Wellesley, MA. It is very rare that a museum can present an exhibition of the work of an artist who is not only very good, but also relatively unknown – especially when they lived in the 16th Century. ButContinue reading “197 – Lavinia, Mary and Margaret”

196 – How to Sleep like a Princess

Vittore Carpaccio, The Dream of St Ursula, 1495. Gallerie Accademia, Venice. I was in Venice recently for my birthday, and swore I wouldn’t do any ‘work’. It was to be pure pleasure and relaxation. But of course, I’m very lucky, my work is pleasure, and how could I miss an important exhibition like Vittore Carpaccio:Continue reading “196 – How to Sleep like a Princess”