Author Archives: drrichardstemp

199 – The One that Got Away

Hans Holbein the Younger, Christina of Denmark, Duchess of Milan, 1538. The National Gallery, London. The subject of today’s portrait, Christina of Denmark, Duchess of Milan, appears in one of the paintings in the Holburne Museum’s gem of an exhibition, Painted Love: Renaissance Marriage Portraits, which, if you’re interested, I will tell you about onContinue reading “199 – The One that Got Away”

Saint Francis, re-framed

Giovanni Bellini, St Francis in the Desert, c. 1476-78, Frick Collection, New York. The National Gallery’s exhibition, Saint Francis of Assisi, which I will talk about this Monday, 19 June at 6pm, is refreshingly beautiful. It includes a superb and eclectic choice of objects which are beautifully hung and expertly curated to tell a clear storyContinue reading “Saint Francis, re-framed”

198 – Looking beneath the surface

Johannes Vermeer, Woman Writing a Letter, with her Maid, c. 1670. National Gallery of Ireland, Dublin. Today’s painting was my real ‘discovery’ of the Rijksmuseum’s Vermeer, a painting I hardly knew, and might not even have seen before. I think I had been to the National Gallery of Ireland twice, very briefly, before my recentContinue reading “198 – Looking beneath the surface”

197 – Lavinia, Mary and Margaret

Lavinia Fontana, The Holy Family with Saints Margaret and Francis, 1578. Davis Museum at Wellesley College, Wellesley, MA. It is very rare that a museum can present an exhibition of the work of an artist who is not only very good, but also relatively unknown – especially when they lived in the 16th Century. ButContinue reading “197 – Lavinia, Mary and Margaret”

196 – How to Sleep like a Princess

Vittore Carpaccio, The Dream of St Ursula, 1495. Gallerie Accademia, Venice. I was in Venice recently for my birthday, and swore I wouldn’t do any ‘work’. It was to be pure pleasure and relaxation. But of course, I’m very lucky, my work is pleasure, and how could I miss an important exhibition like Vittore Carpaccio:Continue reading “196 – How to Sleep like a Princess”

195 – Behold!

Dante Gabriel Rossetti, Ecce Ancilla Domini! (The Annunciation), 1849-50. Tate. Today’s painting is the very first thing you will see if you visit The Rossettis at Tate Britain, the exhibition I will be introducing this coming Monday, 15 May at 6.00pm. It’s the perfect choice to start this exhibition, as I will explain below, andContinue reading “195 – Behold!”

194 – Visionary, too

Hilma af Klint, Tree of Knowledge, No. 1, 1913-15. Glenstone Museum, Potomac, Maryland. Tate is currently hosting a remarkable exhibition, Hilma af Klint & Piet Mondrian, about which I will be talking this Monday, 8 May at 6.00pm. It is remarkable, I think, in that it combines two artists who never met, and who, inContinue reading “194 – Visionary, too”

192 – Role reversal

Berthe Morisot, Eugène Manet on the Isle of Wight, 1875. Musée Marmottan Monet, Paris. Last week I talked about a traditional, old fashioned couple, where the man was in the driving seat. This week, we will see woman take the reins: Madame Manet, better known by the name she called herself – as she neverContinue reading “192 – Role reversal”