Revisiting the Virtues in Colour

Ambrogio Lorenzetti, Maestà, c. 1335. Museo di Arte Sacra, Massa Marittima. Siena: The Rise of Painting 1300-1350 at the National Gallery is undoubtedly the most beautiful exhibition I have seen for many years, and I can’t wait to tell you all about it this coming Monday, 24 March at 6pm. It charts, as the titleContinue reading “Revisiting the Virtues in Colour”

243 – Our most delightful Simone

Simone Martini, Christ discovered in the Temple, 1342. Walker Art Gallery, Liverpool. As an undergraduate studying the History of Art, I and my fellow students held Simone Martini in especially high regard, finding our developing vocabulary inadequate to describe the ineffable beauty of his paintings. We were incredibly lucky to have a great, local treasure,Continue reading “243 – Our most delightful Simone”

Double Duccio

Duccio, The Virgin and Child with Saint Dominic and Saint Aurea, and Patriarchs and Prophets, about 1312-15 (?). The National Gallery, London. I first posted today’s blog just before I gave my first independent Zoom talk four years ago, on 8 February. And here it is, back again, to announce the first of my seriesContinue reading “Double Duccio”

240 – A mother’s grief

Raphael, The Deposition, 1507. Galleria Borghese, Rome. I will be talking about Women as Patrons in the Renaissance this Monday, 27 January at 6pm, and so today I want to take a look at one of the most famous of the relatively few works of art which actually was commissioned by a woman. One ofContinue reading “240 – A mother’s grief”

Bringing ‘The Resurrection’ back to life

Donatello, The Resurrection, c. 1460-65. San Lorenzo, Florence. On Monday 20 January at 6pm I am going to try and answer the question What is Mannerism?. I hope this will put Parmigianino’s masterpiece, which I discussed earlier in the week, into a broader artistic context. However, it’s been one of those weeks, and as thereContinue reading “Bringing ‘The Resurrection’ back to life”

239 – Saint Christina of Bolsena!

Luca Signorelli, Virgin and Child with Saints, 1515. The National Gallery, London. This Monday, 13 January I will be talking about the National Gallery’s superb, small-scale exhibition Parmigianino: The Vision of Saint Jerome, expanding on what is on display with reference to the superb and thoroughly researched catalogue. Earlier this week, while talking about theContinue reading “239 – Saint Christina of Bolsena!”

238 – Following the Magi

Masaccio, The Adoration of the Magi, 1426. Gemäldegalerie, Staatliche Museen zu Berlin. Happy New Year! And as Monday will be the Feast of the Epiphany, I thought that it would be a good idea to talk about a painting of The Adoration of the Magi today. I have chosen Masaccio’s version rather than any ofContinue reading “238 – Following the Magi”

235 – Raphael, after himself

After four weeks talking about the Royal Academy’s superb exhibition celebrating the ‘chance’ encounters of Michelangelo, Leonardo and Raphael in Florence, it will be a pleasure to keep the momentum going this Monday, 9 December by including just a few of their works in my introduction the King’s Gallery exhibition Drawing the Italian Renaissance. ThereContinue reading “235 – Raphael, after himself”

Re-Announced

Raphael, The Annunciation, c. 1506-7. Nationalmuseum, Stockholm. This week I had planned to write about a drawing by Raphael after a painting by Leonardo – but as predicted, I’ve run out of time. So instead, I will re-post an entry about a drawing by Raphael which may have been made for a painting by someoneContinue reading “Re-Announced”

229 – Wise Men, Kings, Saints…

Jacopo di Cione and workshop, The Adoration of the Kings, 1370-71. The National Gallery, London. I know, there are still 118 days to go before Christmas, but even so I have decided to look at a painting of the Three Wise Men. I’ve chosen this painting because the protagonists feature in Jacopo di Cione’s magisterialContinue reading “229 – Wise Men, Kings, Saints…”