Michelangelo, Tityus, 1532. Royal Collection Trust/HM King Charles III. RCIN 912771 r. & v. The phrase is, of course, ‘two sides of the same coin’, but today I’m looking at a piece of paper. However, ‘two sides of the same piece of paper’ isn’t a figure of speech… The sheet in question is included inContinue reading “224 – Two sides of the same…”
Category Archives: Jesus
Transfigured (and Repeated)
Apse Mosaic, c. 549. Sant’Apollinare in Classe, Ravenna. This coming Monday, 8 April, at 6pm, I will be Revealing Ravenna – or at least, talking about the remarkable mosaics, putting them in their historical and religious context, and explaining why the best Byzantine art is in Italy, rather than Istanbul. The following week I willContinue reading “Transfigured (and Repeated)”
A Second Helping of ‘The Last Supper’
Tilman Riemenschneider, The Last Supper, 1499-1505, St. Jacobskirche, Rothenburg ob der Tauber I’m so sorry, I won’t be able to talk about Flaming June on Monday, 1 April – you can blame a combination of TalkTalk and Openreach. We’ve finally made it to Merseyside, and should have been connected to the internet on Monday, butContinue reading “A Second Helping of ‘The Last Supper’”
Another task for Mary
Dirk Bouts, The Virgin and Child, c. 1465. The National Gallery, London. On Monday 18 March I will reach the third leg of my Stroll around the Walker, and will look at the beautiful and varied images of Mary and Jesus in the Liverpool collection in a talk entitled The Virgin and Child… and otherContinue reading “Another task for Mary”
216 – Between Earth and Heaven
The Master of the Aachen Altarpiece, The Crucifixion, about 1490-5. The National Gallery, London. I’m really enjoying getting to know the Walker Art Gallery in Liverpool – it has a fantastic collection, with some real gems – and am looking forward to starting my online stroll around the museum this Monday, 12 February with aContinue reading “216 – Between Earth and Heaven”
Double Negative
Sybil Andrews, Via Dolorosa, 1935. British Museum, London. I started this blog, as I’m sure most of you know, just before we went into lockdown. One of the results of that remarkable year (or two) was that we realised that being negative could be a positive – i.e. testing negative for covid was a goodContinue reading “Double Negative”
214 – Rembrandt and the State of the Art
Rembrandt van Rijn, Christ Presented to the People (‘Ecce Homo’), state V, 1655. National Galleries of Scotland. Happy New Year! And greetings from Liverpool – I’ve started the process of moving here, which may take a while to complete… In the meantime, the world of ‘online’ remains, and I will start afresh this Monday, 8Continue reading “214 – Rembrandt and the State of the Art”
203 – Crivelli’s Original Garden
Carlo Crivelli, La Madonna della Rondine, after 1490. The National Gallery, London. The National Gallery’s exhibition Paula Rego: Crivelli’s Garden, which I will be talking about this Monday, 28 August at 6pm, celebrates the painting which the late, great Portuguese-born artist created for the dining room in the Sainsbury Wing when it was opened backContinue reading “203 – Crivelli’s Original Garden”
197 – Lavinia, Mary and Margaret
Lavinia Fontana, The Holy Family with Saints Margaret and Francis, 1578. Davis Museum at Wellesley College, Wellesley, MA. It is very rare that a museum can present an exhibition of the work of an artist who is not only very good, but also relatively unknown – especially when they lived in the 16th Century. ButContinue reading “197 – Lavinia, Mary and Margaret”
183 – Another Epiphany
Elisabetta Sirani, Study for ‘The Baptism of Christ’, c. 1658. Graphische Sammlung Albertina, Vienna. Happy New Year! And Happy Christmas (yes, as I write, this is the Twelfth Day), and (given when I am writing) may I wish you a Happy Epiphany for tomorrow? The Wise Men will arrive and recognise Jesus as The Boy BornContinue reading “183 – Another Epiphany”