259 – There are more things in Heaven and Earth…

Fra Angelico, The Forerunners of Christ with Saints and Martyrs, about 1423-4. The National Gallery, London. So far I have discussed most of what can be seen in the glorious Fra Angelico exhibition/s in Florence, covering the first room in San Marco and most rooms in the Palazzo Strozzi. However, if you manage to getContinue reading “259 – There are more things in Heaven and Earth…”

Bringing ‘The Resurrection’ back to life

Donatello, The Resurrection, c. 1460-65. San Lorenzo, Florence. On Monday 20 January at 6pm I am going to try and answer the question What is Mannerism?. I hope this will put Parmigianino’s masterpiece, which I discussed earlier in the week, into a broader artistic context. However, it’s been one of those weeks, and as thereContinue reading “Bringing ‘The Resurrection’ back to life”

Revisiting, too…

Sir Peter Lely, …the Virgin and Child, 1664. National Portrait Gallery, London. I will be Revisiting the NPG for a second time this Monday, 9 October at 6:00pm, and in this instalment of the survey I will reach The Stuarts. To introduce that, I am also revisiting an old post: it was originally ‘Picture of theContinue reading “Revisiting, too…”

183 – Another Epiphany

Elisabetta Sirani, Study for ‘The Baptism of Christ’, c. 1658. Graphische Sammlung Albertina, Vienna. Happy New Year! And Happy Christmas (yes, as I write, this is the Twelfth Day), and (given when I am writing) may I wish you a Happy Epiphany for tomorrow? The Wise Men will arrive and recognise Jesus as The Boy BornContinue reading “183 – Another Epiphany”

156 – Second helpings at the Feast

Donatello, The Feast of Herod, 1423-7. Baptismal Font, Battistero di San Giovanni Battista, Siena. ‘Please, sir, I want some more.’  OK, so it seems extremely unlikely that these words, said by Oliver Twist in the eponymous novel by Charles Dickens, and so often misquoted, nor indeed anything like them, would ever have been uttered atContinue reading “156 – Second helpings at the Feast”

154 – A Feast for the eyes

Donatello, The Feast of Herod, 1423-7. Baptismal Font, Battistero di San Giovanni Battista, Siena. The Donatello exhibition in Florence is truly remarkable, an astonishing achievement, given that sculptures have been transported from churches and cathedrals across Italy, including several which have left their original settings for the first time since they were installed. Others haveContinue reading “154 – A Feast for the eyes”

110 – The Ascension

Giotto, The Ascension of Christ, c. 1305, Scrovegni Chapel, Padua. Welcome back to Scrovegni Saturday – and I mean the Saturday bit specifically! Having said that, I think there are only two more to go. One next week (or the week after, to be honest), to look at the final image, and a ‘coda’ toContinue reading “110 – The Ascension”

Day 93 – A Baptism and a Wedding

Giotto, The Baptism and The Wedding at Cana, c. 1305, Scrovegni Chapel, Padua. Bother. Oh bother. I hate it when I get things wrong. Last week I said that we would start today with The Baptism of Christ, saying that it was opposite Christ among the Doctors. But it isn’t, it’s next to it.  Here is the opened-up scale model ofContinue reading “Day 93 – A Baptism and a Wedding”

Day 89 – The Baptism

Juan de Pareja, The Baptism of Christ, 1660s, The Prado, Madrid. Yesterday we saw Velázquez’ beautiful portrait of Juan de Pareja, and last Thursday, Pareja’s own Flight into Egypt (Picture Of The Day 85 & 88). Today, I want to look at his Baptism of Christ. As only ten of Pareja’s works have so far been identified, talking aboutContinue reading “Day 89 – The Baptism”