Donatello, The Resurrection, c. 1460-65. San Lorenzo, Florence. On Monday 20 January at 6pm I am going to try and answer the question What is Mannerism?. I hope this will put Parmigianino’s masterpiece, which I discussed earlier in the week, into a broader artistic context. However, it’s been one of those weeks, and as thereContinue reading “Bringing ‘The Resurrection’ back to life”
Tag Archives: art
238 – Following the Magi
Masaccio, The Adoration of the Magi, 1426. Gemäldegalerie, Staatliche Museen zu Berlin. Happy New Year! And as Monday will be the Feast of the Epiphany, I thought that it would be a good idea to talk about a painting of The Adoration of the Magi today. I have chosen Masaccio’s version rather than any ofContinue reading “238 – Following the Magi”
237 – Monet, looking at London
Claude Monet, The Thames below Westminster, about 1871. The National Gallery, London. Keep looking – that’s the most important thing. If you keep looking you keep learning. I certainly do: it’s one of the things I most enjoy about writing this blog. But then, check that what you’ve learnt from what you see is correctContinue reading “237 – Monet, looking at London”
236 – Rubens, before Constable
Peter Paul Rubens, A View of Het Steen in the Early Morning, probably 1636. The National Gallery, London. After five weeks talking about the Italian Renaissance I’m going to take a break and head forward to the 19th Century. There is a direct line to be drawn, I think, from Constable, via Monet, to VanContinue reading “236 – Rubens, before Constable”
235 – Raphael, after himself
After four weeks talking about the Royal Academy’s superb exhibition celebrating the ‘chance’ encounters of Michelangelo, Leonardo and Raphael in Florence, it will be a pleasure to keep the momentum going this Monday, 9 December by including just a few of their works in my introduction the King’s Gallery exhibition Drawing the Italian Renaissance. ThereContinue reading “235 – Raphael, after himself”
234 – Raphael, after Leonardo, and after Michelangelo
Raphael, St Catherine of Alexandria, about 1507. The National Gallery, London. After discussing Michelangelo and Leonardo, I looked at Raphael on Monday, and so we are all set up for the last of my four talks relating to the Royal Academy’s ‘perfect’ exhibition, Michelangelo, Leonardo, Raphael: Florence c. 1504, this Monday 2 December. It willContinue reading “234 – Raphael, after Leonardo, and after Michelangelo”
Re-Announced
Raphael, The Annunciation, c. 1506-7. Nationalmuseum, Stockholm. This week I had planned to write about a drawing by Raphael after a painting by Leonardo – but as predicted, I’ve run out of time. So instead, I will re-post an entry about a drawing by Raphael which may have been made for a painting by someoneContinue reading “Re-Announced”
233 – Leonardo, hatching ideas
As I said on Monday, when talking about Michelangelo, the Royal Academy’s Michelangelo, Leonardo, Raphael: Florence, c. 1504 constitutes, for me, the perfect exhibition. It is beautifully focussed, with great art, all of which has a reason for being there, and it elucidates with clarity a small moment in the History of Art which hadContinue reading “233 – Leonardo, hatching ideas”
Michelangelo, Falling (in love again)
Michelangelo, The Fall of Phaethon, 1533. The Royal Collection/HM King Charles III. I’m too busy seeing art this week to write about it now, I’m afraid! Yesterday I was lucky enough to get to a preview of the Royal Academy’s superb, focussed Michelangelo, Leonardo, Raphael: Florence c. 1504, and will head to Drawing the ItalianContinue reading “Michelangelo, Falling (in love again)”
232 – ‘There’s so much more to say’
Barbara Walker, Vanishing Point 24 (Mignard), 2021. Pallant House Gallery, Chichester. Barbara Walker is an artist I should have been aware of earlier: she has exhibited every year since she graduated from the University of Central England in 1996, and has built up a remarkable body of work, distinguished by its integrity, its compassion, andContinue reading “232 – ‘There’s so much more to say’”
dr richard stemp 