257 – Unite the Kingdom (of Heaven)

Fra Angelico, Christ Glorified in the Court of Heaven, about 1423-24. The National Gallery, London. I have just returned from my first visit to the glorious exhibition Fra Angelico in Florence. Spread across two venues – Palazzo Strozzi and San Marco – it is the most comprehensive collection of works by this Dominican master thatContinue reading “257 – Unite the Kingdom (of Heaven)”

The Annunciation, again (again)

Veit Stoss, The Annunciation, 1517-18, St Lorenzkirche, Nuremberg. Another repost, as I’m on holiday in Shetland (although for obvious reasons I wrote this before I left home). As my talk, this Monday 4 August at 6pm, will be particularly concerned with Duccio’s Annunciation, I thought I’d look back to a far different version of the narrativeContinue reading “The Annunciation, again (again)”

252 – Beauty and the Beast

Netherlandish or French, The Madonna and Child with Saints Louis and Margaret, about 1510. The National Gallery, London. My first talk about the newly refurbished Sainsbury wing, this Monday, 30 June at 6pm, is entitled Opening up the North. There are various reasons for choosing this title, which I will discuss during the talk itself.Continue reading “252 – Beauty and the Beast”

251 – Heaven brought down to earth

Cimabue, The Virgin and Child with Two Angels, about 1280-85. The National Gallery, London. I confess that I have always been slightly dubious about the status of ‘Cimabue’ in the History of Art. After all, only one of his works is documented, and that is a mosaic: how can you establish an artist’s oeuvre onContinue reading “251 – Heaven brought down to earth”

Take two: remarkable women

Artemisia Gentileschi, Madonna and Child, c. 1613-14. Galleria Spada, Rome. Artemisia Gentileschi truly was a remarkable woman, and a great artist. When I first posted this blog (in the Autumn of 2020) I had already written about her twice (Picture Of The Day 17 and POTD 69), but she is always worth coming back to.Continue reading “Take two: remarkable women”

247 – In the midst of the doctors?

Marie Ellenrieder, Christ in the Temple, 1849. Royal Collection Trust. My next stop on the journey through early modern German art will be The Nazarenes, this Monday, 12 May at 6pm. If you’ve never heard of them, don’t worry, but they are rather wonderful and should be known! Nevertheless, a striking feature of the HistoryContinue reading “247 – In the midst of the doctors?”

Revisiting the Virtues in Colour

Ambrogio Lorenzetti, Maestà, c. 1335. Museo di Arte Sacra, Massa Marittima. Siena: The Rise of Painting 1300-1350 at the National Gallery is undoubtedly the most beautiful exhibition I have seen for many years, and I can’t wait to tell you all about it this coming Monday, 24 March at 6pm. It charts, as the titleContinue reading “Revisiting the Virtues in Colour”

243 – Our most delightful Simone

Simone Martini, Christ discovered in the Temple, 1342. Walker Art Gallery, Liverpool. As an undergraduate studying the History of Art, I and my fellow students held Simone Martini in especially high regard, finding our developing vocabulary inadequate to describe the ineffable beauty of his paintings. We were incredibly lucky to have a great, local treasure,Continue reading “243 – Our most delightful Simone”

Double Duccio

Duccio, The Virgin and Child with Saint Dominic and Saint Aurea, and Patriarchs and Prophets, about 1312-15 (?). The National Gallery, London. I first posted today’s blog just before I gave my first independent Zoom talk four years ago, on 8 February. And here it is, back again, to announce the first of my seriesContinue reading “Double Duccio”

240 – A mother’s grief

Raphael, The Deposition, 1507. Galleria Borghese, Rome. I will be talking about Women as Patrons in the Renaissance this Monday, 27 January at 6pm, and so today I want to take a look at one of the most famous of the relatively few works of art which actually was commissioned by a woman. One ofContinue reading “240 – A mother’s grief”