261 – Joining the dots

Anna Boch, During the Elevation, 1893. Mu.ZEE, Ostend. I confess that I have never visited the Kröller-Müller Museum in Otterlo, despite the fact that it has the most extraordinary collection of paintings: before the opening of the Van Gogh Museum in Amsterdam, for example, this was the best collection of his work. The majority ofContinue reading “261 – Joining the dots”

Take two: remarkable women

Artemisia Gentileschi, Madonna and Child, c. 1613-14. Galleria Spada, Rome. Artemisia Gentileschi truly was a remarkable woman, and a great artist. When I first posted this blog (in the Autumn of 2020) I had already written about her twice (Picture Of The Day 17 and POTD 69), but she is always worth coming back to.Continue reading “Take two: remarkable women”

247 – In the midst of the doctors?

Marie Ellenrieder, Christ in the Temple, 1849. Royal Collection Trust. My next stop on the journey through early modern German art will be The Nazarenes, this Monday, 12 May at 6pm. If you’ve never heard of them, don’t worry, but they are rather wonderful and should be known! Nevertheless, a striking feature of the HistoryContinue reading “247 – In the midst of the doctors?”

Flora: a second bloom

Evelyn De Morgan, Flora, 1894. De Morgan Collection. As I said when I originally posted this essay, ‘There have been a plethora of exhibitions of the work of Evelyn De Morgan in the past few years, but I am only now in a position to dedicate an entire talk to her’ – that was inContinue reading “Flora: a second bloom”

234 – Raphael, after Leonardo, and after Michelangelo

Raphael, St Catherine of Alexandria, about 1507. The National Gallery, London. After discussing Michelangelo and Leonardo, I looked at Raphael on Monday, and so we are all set up for the last of my four talks relating to the Royal Academy’s ‘perfect’ exhibition, Michelangelo, Leonardo, Raphael: Florence c. 1504, this Monday 2 December. It willContinue reading “234 – Raphael, after Leonardo, and after Michelangelo”

232 – ‘There’s so much more to say’

Barbara Walker, Vanishing Point 24 (Mignard), 2021. Pallant House Gallery, Chichester. Barbara Walker is an artist I should have been aware of earlier: she has exhibited every year since she graduated from the University of Central England in 1996, and has built up a remarkable body of work, distinguished by its integrity, its compassion, andContinue reading “232 – ‘There’s so much more to say’”

Another look at Laura looking

Laura Knight, Laura Knight with model, Ella Louise Naper (‘Self Portrait’), 1913. National Portrait Gallery, London. This Monday 5 August at 6pm I will conclude my three part series on Tate’s superb Now You See Us, with a talk entitled From photography to something more modern. I will look at a few remaining paintings inContinue reading “Another look at Laura looking”

Renewed Devotion

Marie Spartali Stillman, How the Virgin Mary Came to Brother Conrad of Offida and laid her Son in his Arms, 1892. National Trust Collections, Wightwick Manor and Gardens, Warwickshire. There’s no talk this Monday, but as I have decided (after some delay) what will take up the rest of the Summer, I thought I shouldContinue reading “Renewed Devotion”

A new life for The Death of Cleopatra

Edmonia Lewis, The Death of Cleopatra, 1876, Smithsonian American Art Museum, Washington, D.C. Greetings from Sunny Sidmouth, where I’m enjoying a brief stint playing the title role in Yes, Prime Minister. It’s a short run, but by the time it ends I will probably have been in post almost as long as Liz Truss. I’ll beContinue reading “A new life for The Death of Cleopatra”

225 – Necessity is the Mother of Inventiom

Angelica Kauffman, Invention, 1778-80. Royal Academy of Arts, London. Rather brilliantly, Tate Britain’s encyclopedic survey of Women Artists in Britain, 1520-1920, opens with Angelica Kauffman’s Invention. It was one of the four Elements of Art which she was commissioned to paint for Somerset House, where they were installed in the ceiling of the Royal Academy’sContinue reading “225 – Necessity is the Mother of Inventiom”